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As to whether he's having trouble passing from one voice to the other, the comedian commented that "everyone with his activity, like everyone else in his profession becomes a habit and the body reacts according to the stimuli already practiced (like muscle memory) but there is always this small margin in which it is not coordinated. "
" It even happened that I made one or two voices, that between one tone and another, it could get confused hast in exchange for a voice for the sake of it. other. (Concerning the modulation) There are many similar voices in color, but by resonating, you want to keep a difference between when you speak (the low voice of Marco Antonio) and when you sing (sings loudly), "explained
From theory to practice Gilberto led the night, because after this explanation on the art of singing and imitating he took the stage with an interpretation of Divo de Juárez, followed by José José with songs like Te Quiero tal how are you, the past past, Gavilán or Paloma, between joke and joke with the distinctive voice of his humorous projection.
He even asked the public songs to taste, as was the case with the song of Del Altar at the Tumba, that he had time not to touch, but his facility of vocalization allowed him to l & rsquo; interpret as Jose Jose himself a version of Adiós Amor, of Cristian Nodal, in the style from Gless, was also present.
Emmanuel and Marco Antonio Solís followed in the menu of "guest artists", and although the songs of Vicente Fernández were the coolest, The truth is that, throughout the show, Gless had a pleasant interaction with the audience who laughed and appreciated at all times.
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