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ROME.- After the release of All is love the new collaborative album of Jay-Z and Beyoncé the couple He sought to mix his music with some Cultural Spaces
This is what happened with his first single " Apeshit ", whose video clip was filmed at Louvre Museum in Paris; and although this place is the protagonist of many musical and television productions, Jay-Z and Beyoncé made a big difference by showing the space in a different way, in addition to posing with […]] You may also be interested: For this reason, Selena Gómez will not sing with Maluma
One of these places was the Roman Colosseum however, the application was rejected. Contrary to what one might think, it was only a question of space, since the Italian scholar, Alberto Ángela had reserved this date, according to Ministry Cultural Heritage of Italy
In addition, the agency mentioned that the request was made very quickly in advance and because of the nature of the site, it is complicated to find dates available .
This first failed attempt, the singer has again presented a new application, which is currently under review for approval.
A few months ago, Beyoncé and Jay-Z surprised their fans with the release of an album without notice. Title All is Love The material was released on Saturday on the streaming music platform Tidal, of which Jay-Z is one of the owners.
The same day, the Carters published the video of " Apeshit ", with images of themselves and a set of alternative dancers with images of Jacques-Louis David chamber painter of Napoleon Bonaparte " The Gioconda ", from Leonardo da Vinci or sculptures such as Venus de Milo and The Victory of Samothrace .
Engraving in the Parisian Louvre Museum This is a political clip that seeks to "affirm the equality of African-American culture and the black to white culture", according to the representative of the Belgian dancer Sidi Larbi Cherkaoui, responsible for the choreography.
For some American media, Beyoncé and Jay-Z revive a strong critique of racism by filming themselves and a group of black dancers in a space that, historically, leaves little room for blackness or who included it through works of art in which they appear under the yoke of slavery .
However, for the art historian Theodore Barrow the artistic pieces filmed in "Apeshit" were used only as decorative elements. "It's not the responsibility of the artists or the director to give each painting its fair value, but I felt that art was only used as a backdrop", he told the New York magazine The Fader .
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