Maldita Vecindad called for peace in the CDMX Zócalo



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The first day of concerts of the 2018 Youth Week is closed on positive messages and a national improvement.

Rocko, Sax, Duck and Aldo, the founders of the most impressive ska project in our country were implanted in front of 100,000 people in the Zócalo de Mexico City to offer one of the most moving concerts of their career.

The wonderful concert of Maldita Vecindad in Zócalo

The game of & # 39; Los Malditos & # 39; was full of strong messages in favor of Central American migrants coming to our country as part of a caravan seeking to reach the United States in search of a better way of life.

At present, they are housed in an improvised shelter inside the Palillo Martínez stadium, in the sports town of Magdalena Mixhuca, but they endure an infinite amount of discrimination, racism and even physical violence on the part of authorities or psychological on the part of citizens.

That's why songs like "Fifth Patio Ska", "Pata de Perro", "El Sur del Sur" and "Rafael" have sounded in favor of those people who go from country to country, on foot, to fight for better opportunities.

During their play, they also played classical songs, which could even be considered as Mexican rock anthems, such as "Solín", "Los Agachados", "Pachuco" and, of course, "Kumbala", the favorite of the public.

They even took the time to make the cover of "The past, past & # 39; and & # 39; La Boa & # 39; originally interpreted by José José, & quot; The principle of canción & # 39; and La Sonora Santanera.

Carmen Aristegui, guest of honor of La Maldita Vecindad in the Zócalo

The most raw part of the evening probably sang "Don Palabras" with the group after a message from Carmen Aristegui, in which she assures that her team and herself were the subject of an investigation by the government for orchestrating a censorship blow after publication. from his report: "The White House of Enrique Peña Nieto".

"Blessed are the poor poets, they will be the kingdom of heaven: it is so that our friend began his walk in the city without dreams," interpreted the pachucos.

Santo Domingo Square

In the smallest stage of the celebration, we had many surprises that left us a square eye and ears full of so much good rock n roll. The Mousters of outer space, for example, they gave us an afternoon of classic rhythms in the purest style of Elvis Presley.

Then there were two emotional meetings of legendary bands from Mexico and Argentina. The first ones were Eufémie, a project of punk rock national who has returned to massive events after several years in retirement from the industry. Songs like "Forastero", "Viejas Fotografías", "2.0" and "Saika Shiori" reminded us of the best moments of our high school.

They followed the Buenosairians Treewhich caused many tears and a lot, but a lot of dancing. "Trains, trucks and tractors", "Enes", "Pequeños Sueños" or "Vomitando Flores" were some of the songs that made us melancholy, but happy because without the loves, the disamors and disappointments of life, our existence would not know the same thing. .

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