The legacy left by Maria Luisa "China" Mendoza "



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The journalist and writer of Guanajuato María Luisa "China Mendoza" left this world at the age of 88, but her legacy will continue to be present both for the new generations and for those who followed her evolution As a journalist and writer

her family confirmed that "due to a respiratory arrest that she suffered on Thursday, June 28 afternoon, she was had to be transferred to the Nutrition Hospital where she finally passed away at dawn on Friday, June 29th.

In love with literature and politics, "China" Mendoza received this nickname from her father because of her incomparable cairel, she reaffirmed herself as a full-time journalist and said she was not celebrating her birthday , otherwise "I should cry"

The best tribute we can pay him is to read his works, of which we can find a wide range of genres, since he approached the novel, short story and even an autobiography

"China" did the autobiography "María Luisa Mendoza, full length: Menguas y contrafuertes" (1991) and the biography: "Tris de sol" (1976).

Has written the stories: "Las cosas" (1976) and "Eyes of flying paper" (1985)

In essay: "Crítica de la crítica" (1966)), "What about the theater? in Mexico? "(1971)," 2 words 2: chronicle of a report "(in collaboration with Edmundo Domínguez Aragonés, 1972)," Maquinita de hacer ruido "(1973)," El teat ro Juárez "(1978) and" Retrato de mi gentedad "(1980)

We emphasize his novels:" With him, with me, with us three "(1971, 2003); "Absence" (1974); "The scribe's dog" (1982); "We went, it's a lot of people" (1999, 2007); "Varied Invention: Hey you!" (1973, 2009) and "De amor y lujo" (2002), title for which he won the José Rubén Romero National Novel Award 2001.

He also did the anthologies: "Selection and notes the introduction of María Luisa Mendoza in Aline Pettersson "(1995); "O por lo redondo" (1971), "Trompo a la uña" (1989)

He made several reports, among them: "Chronicles of Chile" (1972), obtained the National Prize of Journalism and Bernal Díaz del Castillo Prize 1972 ; "Allende el bravo" (in collaboration with Edmundo Domínguez Aragonés, 1973) and "Ra, Re, Ri, Ro, Russia, the USSR" (1974).

"I come from my journalism and I go to my journalism.In my journalism, I received a lot of attention, a lot of honors, many trips, I got married in the Journalism, I healed, I operated, everything is my life.In literature, however, I found myself open doors at first, I never had problems with the editors they immediately accepted it, but I received some sort of rejection of the pseudo-intellectuals, as I called them, they denied the Xavier Villaurrutia award, "recalled the reporter in an interview with the media

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