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The success of "Luis Miguel, the series" has several layers. From the outset, on the surface, we can see that reality continues to subject fiction, albeit at different levels. If in "House of Cards" we saw the rise and fall of Frank Underwood in the hands of Donald Trump, in the production dedicated to "El Sol" in Mexico, we attend the resurrection of the performer from "La uncondicional". Who was' Luismi & # 39; just before the premiere of fiction but an artist in obvious decline?
Let's face it: with his series Luis Miguel became an obese singer who planted 15 thousand fans in a concert to have the agenda full of shows for what's left of 2018.
In a second example is the component of nostalgia. The songs of the performer are part of the popular imagination of (at least) two generations. And it is not difficult to capture a third person with "revelations" that were then known and presented in an attractive and mysterious set (the abuses of the father, the disappearance of the mother Marcela Basteri the true nationality singer …) and also with colorful characters. The formula is effective: the life of & # 39; Luismi & # 39; was already a drama before being taken to the small screen.
PROBLEMS OF FUND
Further analysis involves analysis of the context in which it is published telenovela At the era of social networks, channels generally think of their productions by considering the Interaction that they can generate. That's why it's so easy to fall into disappointment and say that a fiction is successful, because everyone talks about it in Facebook or Twitter . "In Luis Miguel [la serie] we have an interaction of nostalgia, what we like when we say" this song I heard with my mother a long time ago "Nowadays all narration must be considered from the beginning what kind of interaction it will have with the public, "says Colombian television critic Omar Rincón .
The series is a way of thinking about the world. In the end, they are a reason to think. The main problem of "Luis Miguel, the series" is that it neglects the background and focuses too much on the interaction that it can cause. His best character, Luisito Rey is almost a caricature. It is necessary that its interpreter (the good actor Óscar Jaenada ) is diluted in the stereotype of the villain. And it's very, very bad. He lets us know every moment, accompanied by his cousin, both with mustaches and eyes wide open with a cigar in his hand. There are no nuances, they are bad and sharp. And Luis Miguel, played solemnly by Diego Boneta is the good guy. Manipulated by his father – who constantly uses insane tricks to take advantage of him on the pretext that he is looking for his own – and with a mission to accomplish: find his mother, Marcela Basteri . Of course, while living hot romances with easily recognizable women. Although any resemblance to reality is a coincidence.
However, all the above works. And it works very well. Although reality has shown us that the most popular is not necessarily the best.
THE GOOD AND THE BAD
In the end, "Luis Miguel, the series" is the perfect production to make memes, to print the face of Luisito Rey on a pole with the phrase "Pussy, Micky!" and find hilarious parallels between fiction and reality. Maybe someone is interested to know if it was true that Luisito Rey was raging in "spanglish" against which Michael Jackson was trying to duet with his son, but most will simply laugh at the exaggerated scene. "One thing is that Luis Miguel attracts us as a character and another is having a good series on Luis Miguel but something must have [esta serie] to captivate so many people, because # 39; a bad product can not captivate you. "The teacher specializing in television production Juan Manuel Auza chooses the path of consensus
The fiction of Luis Miguel is doing very well. Its time management is not linear, because we are used to the "biopics" of always. Through the chapters we navigate in different time lines that introduce us to the music star at different ages, facing different moments of his life. This is not a boring series, but it draws on the audiovisual resources that trap the viewer.
SUCCESS TRANSMEDIA
Is "Luis Miguel, the series" a bad series? This is not necessarily the argument. This is how Omar Rincón explains: "Today, television is not only a small screen, but an extensive audiovisual entertainment: computers, tablets, mobile phones. .. Young people and adults know how to consume at any time.When we are tired, we put our brains on the table and look at a telenovela or series like Luis Miguel when we do not want to think anymore. series and so on, there are series for each type of spectator, each building its successes, which has been the most harmful to television is moralism. "
It is likely that at the time of Netflix ] We make the mistake of asking for telenovela as a series of larger stem, but the truth is that the singer's soap opera has other purposes. However, the exercise of critical thinking involves the analysis of those details that turn an average series into a good series. And in this aspect, Luis Miguel has left us planted again. Likewise, we will continue to see it.
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