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Two parallel lines form the group of warriors, each with his captain ahead. They begin with a bow to the four cardinal points.
Steps as the Indian and the Swallow raise dust from the ground during the whole trip
They are accompanied by an old and mocking dancer known as "Viejo de la danza ", but he does not entertain the city nor take the children take care of these warriors; he directs them, he is the ancestor who prepares the next generations.
A drum with loud strokes marks the changes of place and the violin plays according to the rattles.
The scene of his dance, the sidewalk. There are no lights, except for a sun that covers his sweat fronts during the transfer of the parish to the main square.
The streets were dyed with brightly colored tufts of feathers; tin and leather huaraches; nagüillas made with reeds and pompoms; Jackets embroidered in sequins, briefs and satin shirts
Dancers bear faith with a rattle and a bow, they say.
They save the identity and cultural richness of Coahuila, because the Water Eye dance the arrival of the Tlaxcaltecas to the Villa of Santiago del Saltillo, which brought with them the custom of performing dances in recognition of their patron saints according to historical records.
These dances have been passed on from generation to generation and today they are part of the entity's folk identity and were appreciated by nearly 10,000 participants yesterday afternoon.
Sitting on the sidewalks of Hidalgo Street, leaning from the facades of their homes, their balconies, took pictures and looks forward to the parade of 53 groups who attended the Matlachinada in the entity.
Families formed by children from the age of 4, young and older adults, as the dancers call their groups, presented their best choreography at the Plaza de Armas, in Piedras Negras, Zacatecas, San Luis Potosí and Nuevo León. join this indigenous dance party.
LOSE HERITAGE
"The Ministry of Culture and the Municipal Institute of Culture seek to safeguard the great heritage of the popular cultures of the entity with activities like this, in which coahuilenses see their traditions and forms of cultural coexistence reflected, "commented Iván Márquez, director of the city's cultural institute.
He considered that each group perfected his estuaries and choreographies, thanks to the workshops that are taught him for his elaboration, although he acknowledged that the rescue of the music and the use of the original instruments dances is an unfinished subject they will also work to strengthen it.
"The violin is becoming less and less used and it is one of the most important elements, so we will also save the music of these dances," he added.
At the end of the presentation of the groups, the work of some teachers who work in the teaching of these dances was recognized, all within the framework of the 441 anniversary of the capital of Coahuila.
The ceremony was attended by Mrs. Liliana Salinas Valdés, Honorary President of DIF Saltillo, on behalf of Mayor Manolo Jiménez Salinas;
Also Silvia Olvera, who is working on the project to find that UNESCO names matachines as historical heritage of humanity; the teacher, Miguel Sabido; the first actress, Angélica Aragón; as well as Mrs. Verónica Alvarado Silva, representing the family, Hernández, who excelled in the tradition of matachines.
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