Much more than nostalgia – deadline

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SPOILER ALERT: This article contains details about tonight's Live in a Public: Norman Lear's Audience: All in the Family and The Jeffersons on ABC. So do not be a tête-à-tête and read more if you do not want to know what happened.

"It's live," Jamie Foxx told an America suddenly awake tonight after scouring a line on ABC Live in front of a studio audience: All in the Family and The Jefferson by Norman Lear.

"All those who stayed at home thought their TV had just been scrambled," added the Oscar – winning actor. He shares his George Jefferson character with actors such as Woody Harrelson's Archie Bunker, Ike Barinholtz's Ellie Kemper, Anthony Anderson and Marisa Tomei's Edith Bunker in the background.

At that time, you knew that these pros had come to play and bring us back to a classic television reborn.

In the midst of the forgivable peaks and troughs of the 90-minute special, Foxx's direct genius joins Jennifer Hudson in launching the theme song "Movin On Up"; almost everything that Wanda Sykes and Tomei did; and Marla Gibbs' truly wonderful surprise as the best part of the new staging of the producer's iconic sitcoms. Jimmy Kimmel co-hosted the special and directed by James Burrows.

With the awesome word game, Shirley Chisholm's credentials, and those fast-paced cultural critics that defined the best of Lear's traditional television industry at the time, the appearance of Gibbs' octogenarian resuming his role as multi-Emmy as a maid of George and Louise Jefferson a real heart-stroke who spent the decades without a word. As the last member of the main cast, it was a fond memory and tribute to the late Isabel Sanford, Sherman Hemsley, Michael Evans, Roxie Roker and Franklin Cover.

Obviously, a passion project for Kimmel, the 51-year-old contagious night presenter, who called AITF and The Jefferson "Two of my favorite shows of all time" during the rehearsal that I attended on Tuesday, the new staged hit the difference in a few decades only a few times, with language related to fashion and to the race.

Beginning with a prerecorded introduction by a Lear encouraging action, sitting in a replica of this iconic Archie Bunker chair (the real is in the Smithsonian), the special took a PSA tone to inform viewers from 2019 that "the language and themes of nearly 50 years ago can still be discordant today, and we still struggle with many of these problems. "

The problems were there in the scripts. But their reality became clear because ABC's censor had to press the button Jeffersons Part of the night, when the N-word sounded back in 1975. Knowing that the sound was being emitted was a shock that was not funny at all, and yet that's the biggest hint of impact of these shows on their first broadcast and today. .

In the middle of the night, early in the evening, Lear and Kimmel, dressed and well equipped, were in the center, on a mobile balcony that could potentially make a live and praiseworthy version of the praise. The Muppets'Statler and Waldoff.

In segue between AITF and The Jefferson, the Lear, Brent Miller, Will Ferrell, Adam McKay, Kimmel and Justin Theroux EP Special would return to the duet for comment, which, while informing that the host of the night loved the Lear series of his childhood, is not helpful slowed the pace of performance. It also ended things before Hudson mastered the scene when she sang one of the greatest TV-themed songs of all time.

Then with the Jeffersons& # 39; Apt. 12D to the left of the stage and the main Bunker room to the right of the audience, it was a step backward for the first year of Richard Nixon's second term with All in the family.

Harrelson's embrace at Tomei at the end of their rendition of "Those Were The Days" seemed to miss all the expectations of reaching the moment of take-off. Unfortunately, as great as Tomei, an Academy Award winner, played the role that John Stapleton gave to his life, Cheers The alum partner took a long time to prepare for the task at hand, while slipping in and out of a distracting accent that never suspended disbelief.

The first secret of the night to be unveiled was what episodes of the Jeffersons of eleven seasons and nine seasons of All in the family were going to be done. The decision was very specific to the context of Donald Trump's reconstruction in America and the existential logistics of moving from one series to another. Allowing for tonight's performance to feature almost all the characters, the special began with the movie "Henry's Farewell" of October 20, 1973, starring John Rich and Bob LaHendro, where George Jefferson's brother, played tonight by BlackishAnderson, is gone. This was followed by the pilot of 18 January 1975 The Jefferson.

The sixth episode of the fourth season of the AITF stumbled with his grumpy Archie, which Harrelson often played too much with an unusual low energy, while he was overwhelmed by the legacy of the band. ; OG Carroll O'Conner.

However, beyond the destruction of each wall by the blur of Foxx, the real star of All in the family Tonight it was Tomei, who wove the anguish and vulnerability aroused by the late and great Stapleton, and injected his own sense of the game, especially in the scenes of Sykes & Weezy – a team intended to be seen in another form if Netflix has any program left.

Almost beaten to beat the same as that of the full dress that I attended on the Sony field last night, Live in front of a studio audience was ruled by the star, as the Jeffersons moved up.

Foxx and Sykes, with Jovan Adepo as their son on the screen, Lionel, had already thrown the post-combustion batteries. But the arrival of Kerry Washington and Will Ferrell as one of the first mixed-race couples on American television, Helen and Tom Willis, helped turn the stratosphere back into action. Tom Willis would have played with great wit. ScandalThe former POTUS Tony Goldwyn instead of Ferrell, it would risk to overwhelm the real production and deprive us of the comical flair of the Talladega Nights: Ricky Bobby's ballad star.

Part Dream girls reunion and 227 reunion and part of the endless American appetite for nostalgia, the resumption of The Jefferson The pilot was so authoritative that I forgot that I was looking backwards until this group, far from the Gerald-Ford era, was hugged by the group at the end .

Otherwise, in the greatest tribute to the original and reenactment, I was coming back into the night when my parents and I had screamed at Sanford, Hemsley, Gibbs and a gang.

Or, as Norman Lear told Jimmy Kimmel tonight: "I'm sitting in an armchair and I got myself!"

So, if ratings are strong enough against NBC's performance Chicago Med and the Chicago fire end of season, can we have more?

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