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"The world has enough superheroes", notes the slogan in the latest trailer of Venom and Sony surely hopes that the public will agree and adopt his toothy antihero in October. Venom received a warm welcome at the San Diego Comic-Con this month, leaving many fans eagerly anticipating the release of the online trailer.
The Success of Venom by Ruben Fleischer . The first film of the planned universe of Sony, Venom will test the reception of the public to support the characters of Spider-Man, without the webslinger holder joining the fray. Although separate from the cinematic universe of Marvel, Venom may be all the more likely to come out of the crowd of universes shared by superheroes, all the more so as the number of universe decreases selling its film assets to Disney. If Venom really succeeds in moving away from the global stakes of superhero movies and adopting the absurd aspects of the movie-monster, then Sony could end up with a universe unique enough to last.
Producer Avi Arad has long defended Venom, which led to the reticent inclusion of Sam Raimi's character in Spider-Man 3 (2007). Noting the character's call, Arad has claimed over the years that kids love Venom. While this may have been true in the 1990s and early 2000s, the character's appeal, especially the Eddie Brock iteration, has declined somewhat in recent years. The recent comic book rereading of Donny Cates and Ryan Stegman has become one of Marvel's best-selling titles and has revived Eddie Brock's interest in Venom, at least among adult fans. And it is there that lies the interesting route that Sony seems to take with Venom . Despite Arad's "Discover Children" sales pitch, the latest trailer of the movie seems to clearly touch his adult fans. After all, it's the sporty Venom tattoos that have left the character mixed up with the metal and grunge scene of the 90s.
That does not mean that kids and teens will not jump on board. Fox had a similar situation with Deadpool, and now it's a last name. But the look and tone of the film has an old-fashioned look that looks like an intentional return to a simpler time of comic strip movies while they were not the linchpin of pop culture or that # & # 39; 39, we were expecting to make a billion dollars. Venom looks cool in the way that riding a motorcycle looks cool, rather than the way the construction of a mechanical suit that reacts seamlessly to all your impulses, and can fly, looks cool. In other words, Venom seems pre-Iron Man cool. The picture can be distinguished from the splashy superhero movies of the MCU and the mythical nature of DC's shared universe by posing as a working-class monster movie credited by a cast of list A. [19659002] Eddie Brock (Tom Hardy), a journalist who questions what the government is doing in the air, is asked to investigate the Life Foundation, led by Carlton Drake (Rice Ahmed), who acquired an alien symbiote. Brock seems to be a mobster, who is far from his comic book counterpart, who is dishonored and fired from journalism after writing a talk revealing the identity of the serial killer Sin-Eater without proper evidence, an identity that s & # 39; 39, turns out to be wrong once Spider-Man catches the real culprit. In comics, Brock was still a bit hard to swallow as a journalist. A muscular Olympic-level athlete with a mullet and an affinity for sleeveless shirts, his original appearance is comically extreme despite the talented artists who portrayed him. Hardy's portrayal by Hardy is remarkably different. The actor gets rid of his prominent human figure and kisses the tics and tormented paranoia worthy of a journalist rooted in conspiracy theories and infected by a foreign parasite. With Brock, Hardy exploits his character-player abilities, apparently creating a character just as interesting to watch as his alien alter ego.
The big question of the spirit of the fans with Venom is whether the character can work without the Spider-Man angle. Peter Parker has always been at the center of Venom's origins, and all of Venom's first appearances focused on him in revenge for Spider-Man – until boredom. It was only during his first solo miniseries in 1993, Venom: Lethal Protector of Venom's creator David Michelinie and artists Mark Bagley, Ron Lim and Sam DeLarosa, that the character really began to grow protector of the innocents in San Francisco. That's Lethal Protector which is said to have the most inspirational film, and the trailer gives us several images and lines that are almost cartoon beats, this that may surprise some viewers
While Venom has proven to be a formidable threat on many occasions, there is a nonsense for the character who is too often forgotten. Brock's frequent conversations and quarrels with the symbiote, his references to himself as "us", his penchant for eating brains and organs, and his delivery of jokes that made Spider-Man moan were comedies. black gold over the years. the least fun quirks. Fleischer, who proved his horror-comedy chops with Zombieland (2009), seems to understand this aspect of the character, who can ultimately let the photo closer to a cross between An American Werewolf in London (1981) and Blade (1998) only for more recent comic book adaptations.
The biggest revelation of the trailer is that of the villain of the film, who, at the beginning of the comics, shares powers similar to those of the hero. While speculation was pointing to the symbiotic serial killer, Carnage (which Woody Harrelson is supposed to play in a cameo), Venom will instead face Riot, who eventually finds a host in Ahmed's Carlton Drake. Drake and the existence of multiple symbionts is another concept born from Lethal Protector . In comics, the Life Foundation is a society of survivalists, who build bunkers and anti-Doomsday protectors for the upper layer of society. Drake sees "a planet on the brink of collapse" and thinks that symbionts are the answer to the evolution of humanity and its ability to survive the consequences of an imminent nuclear disaster [19659009]. offspring: Riot, Cry, Agony, Lasher and Phage. While filmmakers have hinted to Comic Con that more symbionts may appear, the one we see Venom face in the trailer is Riot, who jumps from host to host and has the ability to create arms with his arms. It should also be noted that Brock's ex-wife, Anne Weying (Michelle Williams), also received a symbiont of her own in comics and became She-Venom. While the teaser and the first trailer left the fans worried about the amount of Venom action, it would seem that these will have a lot of symbionts.
Venom is exciting not only because it's not it. yet attached to the weight of a larger universe, but because it offers a distinct tone that does not try to appeal to everyone yet offers a point of entry for new ones consenting arrivals. Embracing the character's horror-comedy elements in a manner that resembles a tribute to the films of John Landis and Joe Dante, Venom feels deviated and bizarre in a manner that we rarely see comic book adaptations. This renegade comics movie might well prove that Sony masters these characters after all.
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