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It was a strange Emmys, no question – but, as there were more unexpected winners than "eye" returns of course, it almost seemed like there was a bit of room for things to happen. change, not for a new class, exactly. Since the vast majority of the "new" faces we saw last night have been in the business forever – but seeing them play new roles.
I am partial to Natasha Lyonne and Russian doll – Easily the series I've enjoyed the most over the past year, as her voice was incredibly powerful and specific – so I was eager to see her anyway. Plus, I do not think it's a secret to me that I've tried to adopt both the hair and blazer aesthetics of the show all summer, so consider my bias.
It's aggressively gold. He has a massive pussy bow that hangs halfway up his thigh, and his inconsistent jewelry can come from a fanciful place, but I like to believe that everything has been dug up in various vintage shops next to large piles of slightly moldy polyester.
It's so out of the norm of what we usually see here, and it's exciting! It's as if she's expressing her intention to become a lady – not like Judi Dench, but maybe – but the kind of quirky charming you like to tell your friends.
It was not allowed before, here on the red carpet. It's absurd to say it now, but it was very clear that if you do not follow the "rules" – including campaigning and dressing the "right" way, etc. – you could not enter the door as an interpreter, let alone a writer / creator / producer. I can not believe I'm so moved by the idea of a relatively privileged woman wearing a designer dress, but the difference is exciting. The equivalent of kids who jump motivational gatherings and hang out under the stairs while getting some of the keys to the realm.
She also surrounds with staggered colleagues. Lyonne spent a good part of the night with Clea DuVall, her friend and costar But I am a cheerleader, who was there with the cast of Veep. And of course, she spent a lot of time with Amy Poehler, her Russian doll partner producer – whose golden outfit on the red carpet was … let's say, less inspiring. What makes it so uncomfortable?
I have not seen Lyonne with Greta Lee, his compatriot of "Sweet Birthday Bayybeeeee", which is a shame, because his outfit is just as unusual for the Emmys, and I'd like to have seen them together:
I can not. That's too much. She's so much cooler than the rest of the scene, and too cool to go to school, it's not that appealing. But too cool to go to school in the Hollywood sense, that is to say someone who has gone to a place where she can do what she wants but who does not care too much about following the line? It is a privileged position, certainly, but it also has the potential to be very exciting.
I will be here to play "Gotta Get Up" until Russian doll Season 2 is coming to help me complete my transformation into the goal of my life – to be a lady.
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