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They experimented intensely with light and color and often painted the same themes, each according to his own style. Mondrian painted the Westkapelle church tower, which at the same time functioned as a lighthouse, from 1908 to 1910 still pointillist and bright. When playing with a slow shutter speed, some images, such as those of a threatening tree on a deserted country road, acquire a picturesque character. Three exhibitions that have as their main point of departure the sea and the beach make you dream in the summer atmosphere. Piet Mondriaan (1872-1944), lighthouse at Westkapelle, 1908. T / m 16/9
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The girls of Zeeland with white hats on the beach, sail boats and day fishing on a background of sunshine Day, the characteristic steeple of Westkapelle, wide beaches and steep dunes in villages such as Zoutelande and Domburg. But they appreciate, sun and sea. Oil painting on a signature with black chalk on cardboard 47.5 x 61.5 cm. Jan Hendrik Weissenbruch, Beach Face, 1887, oil on canvas, 72.8 x 102.9 cm. The finely painted Zeeland girls playing with Hart Nibbrig in the dunes of Zoutelande are reduced to their white hats in Van Heemskerck's paintings. In Strandgezicht from 1887 by Jan Hendrik Weissenbruch, you recognize the first traveling visitors. The Gemeentemuseum manages to present these evolutions in a clear way. ●●●●●
The Hague School in Scheveningen. Oil on canvas 71 x 52 cm. Foto Gemeentemuseum Den Haag
With about sixty works of art (restorations from their own collection and loans, among others, from the Guggenheim Museum in New York), Aan Zee is a pleasantly arranged exhibition. This becomes clear in Preliminary Studies: The Red Tree (1908-1910), where he paints a recognizable tree in the evening glow. Until 18/11 at the Gemeentemuseum Den Haag. Toorop deliberately decided to paint only Westkapelle's steeple because he was extremely Catholic. Piet Mondriaan (1872-1944), evening; The red tree, 1908-1910. Visual art Aan Zee – Mondriaan, Toorop, Van Heemskerck and Hart Nibbrig. It is interesting to see how Mondrian's turn to abstraction is clear. Until 18/11. Foto Gemeentemuseum Den Haag
Finally, the exhibition The Haagse School in Scheveningen, the museum's third maritime exhibition, is on the first floor. 23, she painted cockerel and pessimist. In Two Trees (1908-1910), she still paints in pastel and merry colors and catches the evening light. They go hand in hand with the paintings and offer the ideal and contemporary addition to Aan Zee. According to the museum, the views of the Zeeland Sea and the church towers with their horizontal and vertical lines ensured that the Dutch painter continued to abstract. Where summer and vacations reign over Aan Zee, the hard and realistic existence of captain life and shrimp fishermen in the nineteenth century arises here. Foto Gemeentemuseum Den Haag
The Belgian photographer Stephan Vanfleteren (1969) captured the same whim and immobility in his supplementary photographic series Land / Sea. They are always alone on the beach, there is no no pier yet to entertain them. Anyone who wants to get a complete picture of the Dutch bath culture should be present at the Gemeentemuseum Museum in The Hague these days. From desolation into the gray, vast landscapes of Anton Mauve to the paintings of Andreas Schelfhout where the sun shines through the clouds. Ferdinand Hart Nibbrig, Piet Mondrian, Jan Toorop and Jacoba Van Heemskerck have both been intrigued by the Zeeland coast, especially on the island of Walcheren. Under the influence of the movement of German artists Der Sturm, they exude expressionist paintings, but also dark and sinister. Jan Toorop (1858-1928), Zee in duin at Zoutelande, 1907. For this series the Gemeentemuseum Vanfleteren sent to places that were so popular with the four Dutch painters at the beginning of the last century. Inl: gemeentemuseum.nl
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Stephan Vanfleteren – Earth / Sea. Oil on canvas 70 x 99 cm. When Mondrian returns to Domburg two years later, he paints a blossoming apple tree, this time cubistically, like a collection of upright and elongated lines. Foto Gemeentemuseum Den Haag
Van Heemskerck first painted luminescent works. From 1913, in works like Bild No. The exhibition is like a time line of two hundred years: from the fishing village to the seaside resort that has become Scheveningen.
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