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With an almost humble smile, he met Saturday with the museum's director, Andreas Blühm, who asked him to answer questions from the audience. One hundred percent friendly. And then accessible for whoever would like it.
The latter corresponds to his goal of making dance known to a wider audience. The phenomenon of Ukrainian dance also has a foundation that offers young talents from poor families the opportunity to take a course. The star of Oerkraiense presents her show Sacred Sunday night in the Stadsschouwburg of Groningen, which sells quickly. Earlier this week, he was three times in a complete Square.
LaChapelle
An ingenious doubled between theatrical programmer Henk Kuiper and the museum director attempted to bring Polunin to Groningen, as well as an interview for the public the day before. The dancer knew the city for a year and a half, it was true. He has done here the opening act of the great exhibition of David LaChapelle at the Groninger Museum.
25 million
It can be seen in many photographs. His image also adorns the poster. Those who want to watch must arrive soon: the exhibition is over in a week. Polunin also dances in the nearly 25 million views that LaChapelle made on Take Me To Church of Hozier. At the time, he had done 9 hours of dance in Hawaii to work with LaChapelle on a 4.07 minute clip
Hype
The museum's auditorium was inactive, when Polunin entered with great applause. Especially after his nightly performance at Lowlands, you can talk about a hype around the Ukrainian. A difficult past, characterized by drugs, lack of motivation and lack of repetition, makes the story of this hype.
Crowded to the Groninger Museum during the visit of the Polunin dance phenomenon. Photo: DvhN
But it's really a past. There was no wild cat here. Polunine's modesty was further accentuated by twilight in the auditorium. And then he also has a soft voice. Plus a microphone technique impractical. But he was there. Everyone listened attentively to the way he described Groningen as a special place for him
Other Reflections
Andreas Blühm asked him about his experiences with LaChapelle and in particular about the recording of Hozier clip. Polunin had previously conceived this project as a requiem for his dancing career. ,, I could not wait to get rid of it. But it is precisely this period in Hawaii that has been a meditation for me. I've changed my mind there. "
It was previously agreed that the public should also ask questions.A few young students from the Groningen Ballet School, Wanda Kuiper, were in the lead." What should I do to become as good as you? ", asked Valerio Elisa (11 years old) of Groningen and was very applauded by the public.The logical answer was" a lot of dedication and hard work. "
Never regretted
Beside him, Midlum's 14-year-old famke Anne van der Mark, who found it difficult to divorce her parents at a high-level ballet training in Amsterdam, knowing that Polunin also had difficulty in her long-term career. wanted to know if he would have liked to take care of that later, so no, I never regretted anything, apparently everything had to be done like that, "he said. .
Mickey Rourke
And this corresponded to his greatest story: looking around is nonsense, just look at the future. He always wants to innovate. "If I have not done anything new for a week, it's like I did not do anything at all."
And new projects? ,, I want to bring together the disciplines. Dance, fashion, theater, drums, singing voices. And for the rest, I see what comes to me. I spoke in Amsterdam at the Dutch National Ballet. New things come out of this kind of chance encounter. "
If he had to call someone in a concrete way, with whom he would like to do something, then it would be the actor Mickey Rourke, who is he who, expert by experience released the dancer from his drug addiction
Dance Event
Since then, Polunin has observed things differently.Curious "Yes", he answered a question from Andreas Blühm. ,, We went to the Amsterdam Dance Event after a show.You must know what is going on, where people are going. "
After the interview, the dancer went to a dance hall. exhibition, where, in the midst of LaChapelle's work, he took the time to make a meeting . He did interviews and often took a picture. After all, dance must be for everyone. For more than this theater of conflict,
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