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Many fantastic sagas are carried by the strength of the worlds in which they take place, and not necessarily by the strength of the individual characters who make them up. Frodo’s journey to Mordor is thrilling, of course, but that’s not really because Frodo is such a thrilling character. This is because he is a simple and kind person, although possessing an endless inner well of strength, who is pushed into a world that is not at all simple or kind (it certainly emerges that he does there are no famous sagas about hobbits that not live life-changing adventures). This is not at all the case for Andrzej Sapkowski Witcher pounds, however. The best thing about them is the main protagonist Geralt Of Rivia, the eponymous witcher played by Henry Cavill in the Netflix live-action adaptation of the books. Geralt is an anachronistic fantasy character who actively pushes back the fact that he lives in a fantasy world, even though he conspires to constantly put him in a position to save princesses, reverse evil curses, and fall in love with beautiful witches. He’s a hero, but he’s a hero who thinks being a hero is stupid.
Netflix’s new anime prequel The wolf’s nightmare, on the other hand, offers a fairly convincing counter-argument. This takes place years before Geralt became a witcher, instead focusing on his mentor Vesemir (who will make his live debut in season two of the Netflix show), and he does a good job selling the world of The witcher beyond his best character. Much of this is thanks to Vesemir’s characterization of her, who is more of a dashing thug or Han Solo type than Geralt, who lends The wolf’s nightmare wilder and faster energy than the main line Witcher stories. Basically Vesemir is really good at being a witcher and loves his job, while Geralt is really, really good at being a witcher but acts like his job is to open the box for the Flintstones.
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Unfortunately for Vesemir, the plot of The wolf’s nightmare is largely to deter him from this enthusiasm. That’s not to say it’s not an entertaining adventure, but it starts off fun and then it gets a little sad (an arc that fans of the Witcher stories can recognize, oh, most of them), plotting Vesemir’s path from naively excitable hero to praise to the kind of grizzled mentor who could teach Geralt and other relatively young witers how to survive in a world that hates and fears them. (The wolf’s nightmare covers some ground in this department as well, setting the backstory that witers are so wary of in Geralt’s day.)
The plot is also probably the weakest part of The wolf’s nightmare, if only because you can guess where it’s going even if you haven’t read the books or watched the main show except for a mid-game twist that isn’t quite resolved like you might expect it. There is a violent and action-loving male hero, a female hero who uses magic, too smart for this female hero who is paired with him even though they have diametrically opposed points of view, and they are tasked with finding and kill some kind of monster that terrorizes a small town … it’s very Castlevania, or at least Netflix Castlevania anime, but luckily that’s a good thing.
Like Castlevania, the best thing about The wolf’s nightmare is the very violent action, which not only shows Vesemir flying through the air and tearing monsters apart with his witcher sword in a way that Geralt – without disrespecting Henry Cavill – could never succeed in the show without a snap. aesthetic yarn work, but there are a lot of fine details that are fun to see. Vesemir drinks potions that make his eyes creepy, he pours special oils on his sword before going into battle, and like in the books, the witcher-style swordplay involves a lot of spins and feints that are a little more visually dynamic than the stupid ones. load and sway that you see mostly in your The Lord of the Rings or your The iron Throne.
Dubbing is quite usable, with the various witers clearly having fun with it. Almost everyone (including Lara Pulver, Graham McTavish and Mary McDonnell) just does a “solemn, vaguely British, fanciful person voice,” who gets the job done. It would have been fun to have Kim Bodnia, who will represent Vesemir on The witcher, voice the character here to establish a bit of continuity between the animated spin-off and the regular show, but this Theo James take from the Divergent movies are a lot of fun. (He is, however, too young and good-looking to play Vesemir live.)
The wolf’s nightmare doesn’t replace seeing Geralt drop jokes on his father, date a poet, and fall in love with witches, but it’s a nice appetizer for the next iteration of the Witcher universe (season two arrives December 17). It’s fun to see this world, with all of its inhuman monsters and monstrous humans, from a different perspective, even though it’s not as refreshing or engaging as Geralt’s.
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