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In half an hour, Finn Walther took all the pictures of Image Count in Addressavisen's weekly magazine. It must have happened like this. It was possible to go back, but he could not. He had to take pictures here and there.
– There was something about the immediate thing in the pictures I took, which meant I could not go back there. It was not the same thing.
In fact filmmaker
This is the only time Walther has used almost all the images he's taken for a photo story, he believes. He usually works as an independent film producer, but this summer he is working on the photo department at Adresseavisen. Returning from a bad fishing trip to Trondheim, he saw older people who threw irons at Ilsvika east of downtown
– It seemed very comfortable and I thought I wanted to document what they held
Here you will find more photographers who tell their pictures and the methods behind them.
Walther soon heard that the gang collects all a day playing shooting plateau, a sport that has been played in Trøndelag for over a hundred years, perhaps since 1860. [19659002] Even on Christmas Eve, they come here to play.
It should almost be a little story of that, published earlier in July of the Weekly Address, and not just the only picture he had thought of originally. He came to the report Time stops at Ilsvika. As Walther usually works with live pictures, he often thinks the same way by taking still pictures.
This "filed" view Walther captures the entire situation. Later, he found footage from the 1940s, where people played shelves on the same spot. Photo: Find Walther
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– The first image that was revealed was the tabloid, where you see, see five people on a shooting hill, and one of the "monks" who is caught. In the background, the grain silos are very stereotyped for Ilsvika
Capturing an entire image
Such a tablecloth as it is called in The language of the film, is the first that Walther looks for when he discovers Location to take pictures, be it live pictures or still pictures. This gives him a glimpse of the situation, and at the same time his head begins to plan what other more stringent settings and images he needs.
– It's a great way to really work. In the overall picture, I try to capture all of what happens in one and the same picture. Then I get closer and try to know who are there.
One of his greatest films is the Swedish director Roy Andersson, who builds his films through various taboos. It's probably a bit in Walther's subconscious when he works, does he think himself
– It was fine to have it in a documentary story about the shooting range to Ilsvika too.
– There has been a gun shed here for over 100 years, says Gunnar Guldberg. Photo: Find Walther
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Walther is an educated director at the Lillehammer Television School, and therefore saw no technical education in the film or photo. Nevertheless, he now works as an independent filmmaker, with short films, longer films, feature films and documentaries, and has won several awards for his work. In particular, he won the award for the best one-minute film for three consecutive years at the Minimalen Festival in Trondheim. Especially in the photo that he learned through the vikariates in Adresseavisen, he says.
In the overall picture, I try to capture all of what happens in one and the same picture. Then I get closer and try to know who are there.
Find Walther
– It's incredibly inspiring to work with the real photographers who are there. I am humble to have the right to do it, because I do not really see myself as a real photographer, he laughs.
Spontaneity and Immediate
Much of what he does relates to everyday things and he tries to tighten up and I am honest.
– I am always looking for images that tell you something more than what you see on the image. I often look for contrasts. The funny thing about taking pictures this way is that things have to happen very quickly. With movies, you can plan several months in advance, it's also fun, but it's cool when you get spontaneity and immediacy in images that can not be scheduled.
These little daily interviews think that Walther is important to give a broad overview of society is …
– The media will talk about big things, political issues, but there must also be room for the charming little stories of Ilsvika. The more enlightened we are, the better we understand society and the people around us. Then I also think that we can become more tolerant.
Every day this band comes to Ilsvika to play ball, with winter shoes and gloves. Photo: Find Walther
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Humor with respect
Whenever possible, he always tries to use a little humor, and he sees a large part of it in the report on the photos
– He is difficult to say in a word. just a nice group of seniors who run a sport. There is something that many people of their age have done a long time ago. Look at him with a stick, he almost relaxes from the hill where he will pour.
Everyone has something odd about it. Some laugh because they recognize each other, because they do not recognize each other at all.
Finding Walther
Walther does not go back in a few years to make a short film about the shotgun gang because he loved them so well.
Humor is not always possible in photojournalism, but generally the way one takes pictures, Walther believes. And if you are humble and curious about what others are doing, you are going a long way.
– Everyone has something odd about it. Some laugh because they recognize each other, because they do not recognize each other at all. As long as there is respect in the background, one can chew a little, says the photographer, telling a great fire that he recently documented, where he also took a humorous picture
– Many volunteer firefighters contributed to the work of extinction. Then came a Swedish couple with checked shirts and bananas completely similar to firefighters. I think it's humor, and it shows that happiness and humorous moments can be found in the tragic as long as it makes it more respectful.
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