Concert Chronicle: Paul Simon in Oslo Spektrum – Thank you for everything, Paul Simon!



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KONSERT: We are in a small "stamp" of separation concerts. Ozzy Osbourne (69) said goodbye to Halden on June 20, but he probably does not know it, while Paul Simon, 77, decided it was the last lap of the special. Even though he announced a new album in September

Where:

Oslo Spektrum

Spectators:

About 7000

" Great rounded exceptional career. »

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15 musicians

He certainly does not travel to alinea. Behind him, he has 14 musicians and corores, who for safety also treat an instrument or two. Then they call yMusic – and Simon accompanies with blows and blows in the best moments of the concert. "Can not Run" slips into a different version of "Bridge Over Troubled Water" . which ends "as it should be".

And of course, you can not expect hit songs when you go to Paul Simon's concert. That's what makes it so exciting.

Multifaceted

In 145 minutes, he sums up more than 50 years of almost unparalleled musical career.

At the same time, he demonstrates to what full artist he is. It's not the kind that he did not play during the concert, from pop, zydeco and funk to reggae, country and classical

no, basically he is a showcaster who chooses to finish the second tour of the concert with extranumre with perhaps the finest song he's written, " American Tune "and the" melody "to Simon & Garfunkel, " Sound of Silence " – aleine with a guitarist.

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Bagatell

The tour was titled "Homeward Bound – The Farewell Tour 2018" and the collaboration with Art Garfunkel is highlighted on the big screen under Homeward Bound.

As it sounds strange, the duo's career appears, from 1964 to 1970, as a trifle in the history of music, compared to Simon's solo career. He began writing songs as 12-13 years old and bombed "officially" solo in 1972.

Versatile

The reason is above all its versatility and its playfulness and his desire to challenge – For example, go to the apartheid state of South Africa and record "Graceland" (1986).

is controversial and courageous, and is an excellent example of how musical cooperation across borders and across political and cultural boundaries can bear fruit and open doors

Experimental

Therefore, it's not surprising that he's playing Graceland's nine songs "(1986) and the sequel, the most Brazil-oriented" The Rhythm of The Saints "(1990): A single song from his last 2016 album, "Stranger to Stranger", became a place on the list, the cheeky "Wristband" . Also "Rewrite" is quite exemplary, also for Simon, and comes after that he had the pleasure of saying – and demonstrating – how he often

The whole career

An increasingly enthusiastic audience, after a few more hours standing as seated, will of course be remembered with the favorites of the whole career – but only after a hesitant and groping "America" ​​ and a half God "50 ways to leave his lover " A Helgode "The boy in the bubble" and ] "Dazzling blue" ]

Four songs (of 26) – and it is heated, both in the joints and in the voice. He "sang" while dancing a few steps, leaning against my favorite of all his musicians on this tour, accordionist Zydeco Joel Guzman.

Africa [19659008] Another to mention is the Nigerian guitarist Biodun Kuti, who replaced Simon's longtime partner Vincent Nguini of Cameroon, deceased last December. Kuti plays the guitar in the African way, with simple but effective tones. Not to mention bassist Bakithi Kumalo, who was on page "Graceland". The famous bass line of "You Can Call Me Al" comes not only one, but twice!

A good example of Paul Simon giving the expression eclectic a face. One can probably call it world music, but it's mostly Paul Simon's music – for two hours and 25 minutes. Not bad about a 77 year old man

  DISCUSSED: Paul Simon and the strings and blowers of the New York Ensemble yMusic in the most beautiful section of the concert
DISCUSSED: Paul Simon and the strings and the blowers of the New York Ensemble yMusic in the best concert department.
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