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MUSIC
Morning surprising dawn in career that had taken the evening.
published:
5
ALBUM: POP
Linnea Dale
"Wait in the morning"
(Aftertouch Records)
Linnea Dale's career beyond her nearly ten years Donkeyboy was a broker and a researcher: partly a disappointment, partly a form of resignation, one would like to recognize the daily flies of the pope. Traditionally, this third solo album should be the last highlight of the career, before the artist takes a breath and integrates into everyday life.
But some must have forgotten to convey these transformational poems to 27-year-old Tinn, 27, of Tinn. Instead of creating an unforgettable piece of pop-pop, she did the opposite. With the help of good assistants, she completely ignored the expression of fashionable poprock, both icy and fairly self-aware. The heat is increased, the rhythm is decreased. It's like a new beginning.
Those who followed a little will not know this as a surprise. The first part "Favorite Error" was something as unusual as a song that did not try to blend in with the mathematical assumptions that streaming technology adores. Instead, it's arranged with difficult rhythms and persistent moods, as if it was in 1979. There are a lot of long fingers to mechanics here.
The continuation of this state of mind gives the album an overall understanding that is both unusually mature and innovative in retrospect. It opens in something that could be as well the seventies of Neus or the early eighties of William Orbit. The vocal strategies of the latter can be used as a guide to explain how the voice dunk, accurate and sweet Dale extends the album. Also share it curious and dry, but always as an integral part.
She shared the writing with Sigurd Thomassen (Pow Pow) and Kim Edward Bergseth – in addition to brother-in-law Jonas Alaska. The latter is hidden well in the title song, which would be a duet. In addition to excellent people, this extended trio has created a wonderful mix of genres ranging from soft soul electronics to darkness. New details slip into each listening, with some of the same timeless formalities as the noble Norwegian duo Band of Gold: a relaxed and comfortable touch without being too comfortable. Incomprehensibly dansable and strictly formatted.
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That's how the idols continued
Eight beautiful songs left room for Dale for half an hour. It includes a cute but slightly strange placed recording of a 12 year old Dale who presents and plays a song that she herself has written. 15 years later, it has become a piece of his best album. Let's say that's the real beginning.
BEST LOT: "Like a ball"
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