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ROSKILDE (Dagsavisen): Kakkmaddafakka from Bergen had a big dream and was playing in Roskilde. They were filled in 2016. The next dream was obviously to come back, and they did it in 2018, with the new album "House" in the luggage and until then as the first group on the second largest telescope from Roskild, Avalon. There has been a day of celebration in the biggest music festival in Northern Europe that will take its place in history books, and Kakkmaddafakka has certainly gained an anecdote. In a familiar style, they made a remarkable entry into the row and row, jumping as well as backwards after Grieg thundered past the plant, and with the full pop-up they raised the roof of the first moment. It should not be denied that there were good Norwegians at random in the tent, surely some sense of the mountain, but Kakkmadddakakka proved that they could be the smallest group of arenas in the world suited to big reasons and to a wide audience.
Wednesday at Roskilde was a brachestart in all respects, which, in addition to the evening hours, was supposed to host good concerts with an all-powerful St. Vincent in an almost futuristic stage scene, while Trent Reznor in Nine Inch Nails makes one of his rare concerts on these shows and presented a dystopian, smoky and apocalyptic show showing why he is the king of industrial impact metal. But before that, with Kakkmaddafakka on stage while Danish star shooter Saveus showed that he could cope with the big orange scene, the music was spinning and an experimentally new and festive audience could toss the masks for the first time in history in Roskilde
The main reason was Eminem, who played at Voldsløkka in Oslo last weekend, with subsequent criticism by the public organizer, as well as a debate of press strong and important on its total prohibition to photograph. At Roskilde, he was trying to do the same, but the festival's guardians mocked Eminem's brutal officials who threatened a hundred professional photographers of the public who did not watch the boycott of the concert as an alternative to protest against the 39, prohibition of photo. And as the complete paradox, the public Eminem calls mobile phones under the song "Sing For The Moment", which next to "Stan", "My Name Is" and "The Real Slim Shady" began to tremble. It has been estimated at more than 100,000 in front of Eminem, and no one can ever remember that there was a major concert in Roskilde. It definitely did not come out of the photograph, while all the remains on the stage at the end of the concert were not just a drag on the festival's big talk – dust.
For now, there is still dust of the desert mood on them. It is gray, intrusive and sticky and what it contains when it is poked in a festival and a campsite, which since Wednesday the hall of 130,000, we prefer not to think about it after many guys in the tent have been hanging in the tent and tied up since the heating party opened last Saturday. Among the groups that have tested the public of the Rising scene, we find the Norwegian Sassy 009 and Jakob Ogawa, while Cezinando started Thursday with four strings, blowers and even more "Wow! Roskilde!" Beginning after in front of a few thousand "morning birds". After the handshake of the artist to judge, only 30-40 of those who were not Norwegian. Later Thursday, First Aid Kit had to take Orange Scene, and later, Bruno Mars organized the evening. It also has a photo ban that will be ignored by the public and photographers.
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