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In the last sign of seismic changes in the Hollywood jungle, Netflix acquired the rights of Warner Bros. on Andy Serkis' Mowgli in a transaction that marks his biggest acquisition of a finished film.
In October, Serkis will release the content of Rudyard Kipling's The Jungle Book. It will be released on the Netflix streaming platform at the same time and will be released in 3D in 2019.
Best known for his work capturing Gollum's performance in the trilogy The Lord of the Rings and Caesar in the Planet of the Apes, Serkis debuts as a director with the film, which closely follows the Jungle Book 2016 remake of director Jon Favreau. Steeper approach to the story.
Favreau's film was a hit for Walt Disney Studios, with more than $ 966 million worldwide. Serkis's film had a rocker road to release. It was originally planned to open the same year, under the title Jungle Book: Origins, but the release date was first postponed to 2017 to allow more time to work on the visual effects, then pushed until in 2018.
Netflix, Mowgli – which features performance capture works from a star cast including Serkis, Benedict Cumberbatch, Cate Blanchett and Christian Bale – will be able to avoid what would have been unavoidable comparisons with the Disney movie.
"It's a relief not to have any pressure," Serkis told Deadline, who first reported the news of the deal. the plus, it's the avant-garde vision of Netflix on how to present this, and the movie's message.
They understand that it's a darker narrative that does not fit a quad quadrant. "[19659002] Netflix has already acquired rights to medium-sized studio films such as Paramount's The Cloverfield Paradox and the science fiction thriller Extinction, as well as many small independent films, and began producing his own films on a larger scale.Although the exact scale of the agreement Mowgli did not not disclosed, it undoubtedly marks the largest acquisition of a studio film by the streaming service to date, marking another milestone in the continuing evolution of a new distribution ecosystem of films.
© Copyright Times Colonist
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