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All the ingredients here are for something special, but the end result is more than a little undercooked.
This is not quite a subgenre, but movies about people (police or otherwise) way across enemy territory are badly attractive. From The Warriors (1979) and Trespass (1992) to The Raid (2011) and Dredd (2012), c. is an irresistible premise and difficult to mess up – all it needs are compelling characters and exciting actions. Hard to mess up … but not impossible.
Nani Madigan (Anne Curtis) just finished training as part of a police assault squad, and having lost her last team under a shower of bullets, she hard to adapt to it. around. There is no time to complain because the team is chosen to participate in a night operation, in the hope of bringing down the crime leader Biggie Chen. She does not care about the man who runs the op, but knowing that her career is on the line she is following him and the others deeply into one of the shantytowns like a maze of Manila. The mission goes quickly to hell, and with a traitor in the middle of them, the team is forced to fight its way if it wants to see another sunrise.
A look at the latest Filipino of Erik Matti thriller suggests a real treat for action movie fans with female tracks, but as the minutes of the show, opening advance through its 126 minutes, the truth emerges. BuyBust is too long, too sloppy and too disappointing.
It's really a shame because the elements that work do it extremely well. Curtis offers a charismatic leader's performance that sees her repeatedly moving between desperation, fear and determination. Brandon Vera is as captivating as Rico, his larger-than-life teammate who feels like a Filipino response to Dave Bautista – tall, powerful and adorable.
A couple of action beats also excite characters to run, climb and fight, and on dilapidated shacks and barely stable structures. Rico gets a trio of highlights involving garden shears, a motorcycle and a water trough, and Madigan keeps almost the same pace with some entertaining fights.
The big problem, however, is that the action is surprisingly dull and repetitive. The fight-oriented movies do not need to follow the stylized and highly choreographed route of many martial arts features, since sometimes the sheer energy of the guttural fight can be just as thrilling. The recent We Will Not Die Tonight succeeds on this front (with a similar plot too) with fights that feel desperate and painful. The fights here are not going to impress in their choreography, but worse, they disappoint in their execution. Oscillations are slow, contact is inconsistent, and reactions are amateurish.
The action is particularly unfortunate because there are * so *. The film lasts more than two hours, and once the bust moves sideways, the action comes into play and remains fairly constant. It should be electrifying and draining with only short breaks to catch our collective breaths, but instead (and aside from the highlights mentioned above) it is right there.
Other problems are looming, especially in a scenario where there is a lack of dialogue, a good action is the only thing an action movie really needs. Matti's feature film in 2013, On the Job is a fantastic showcase for his filmmaking talents in direction and writing, but he seems to be lost in the massive size of all of this.
half an hour from the first two inflated acts of BuyBust and this is a perfectly passable diversion. In the state, it's worth a watch – a rent if you want – for genre fans who will appreciate the beats that work, including an absolute two-minute killer final.
Follow our Fantasia 2018 coverage here. 19659012]
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