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BET canceled his revolutionary late-night show The Rundown with Robin Thede after a single season – and that makes no sense at all.
The Rundown came out of the door with everything that works in his favor: The same production company behind Full Frontal with Sam Bee was working with Thede; Chris Rock was an executive producer; Thede herself was more than ready to host her own show having been the main author of The Nightly Show with Larry Wilmore . The Thede Way dug for itself was something that so many people shouted for. In a predominantly white men's series, Thede became the only black woman in the late evening when The Rundown was premiered last October.
But Thede's late presence was not just a box of diversity – it was really hilarious and abruptly written. The Rundown debuted and maintained very positive reviews and even had a 100% cool note on Rotten Tomatoes
Thede's critical success was due largely part to its black an approach focused on political and cultural satire, which has proven a welcome respite from other late night shows that tend to overlook stories about the African-American community . The Daily Show correspondent Roy Wood Jr. even said so much about an episode of after the podcast show The Rundown The Randown, when he told Thede, "You can to make the jokes I wish I could do. " What Wood Jr. was getting, is the fact that a show like The Daily Show has a wider audience (that is, more white) on comedy Central. So even a black host like Trevor Noah can only dig so deeply. This is a theory supported by the cancellation of The Nightly Show the black version of Comedy Central The Daily Show which was canceled after only two seasons
. Blacks – and, above all, black women – BET pulled the plug on The Rundown leaving the question of why?
In a statement, BET said: "At this time, BET Networks has decided to renew The Rundown with Robin Thede .We have so much love and respect for our unicorn and we are eager to find ways to continue in partnership with Robin. "
There was no mention of The Rundown underperforming or significantly lowering ratings. If one or the other was indeed the case, one could argue the argument for The Rundown only deserving one season. Of course, many shows never see a second season. But knowing that The Rundown was truly a first of its kind for BET as a late-night political show, a little room for maneuver could have helped to find its balance. Whatever the case may be, the fact that it was a new direction for BET's programming should have been one more reason for the network to keep it.
It seems that The Rundown was a victim of a recent change of custody at BET. President and CEO Debra Lee, who gave the go-ahead at Thede, resigned in May, setting the stage for Scott M. Mills to oversee BET's strategy and operations as president. Apparently, Mills' vision is to increase the scripted content of the network and the original films. This is not the least of the things that this vision of a nightly political satire enlivened by an under-represented voice in the conversation puzzles.
But no one can say that Thede has not at least tried to shut up. 19659003] "I have a very high standard for what we do," said Thede in an interview with Fast Company last October. "So, if it does not find an audience, it will not be for lack of quality, and it will not be for lack of trying."
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