Love machine on crutches of sympathy: Beck embraces inner weirdo



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U.S. The musician Beck plays on stage in Quebec the Concert of the Festival d'ETE in Quebec City. Image: Alice Chiche / AFP

As Beck has consolidated his role as one of the most influential figures in music, listeners have accepted a deal – on record, or live, they do not know never exactly what they are going to get. Playing Thursday night at thousands of people at the Quebec City Summer Festival on the vast site of the Battle of the Plains of Abraham, Beck quickly made it clear that his classic and far-fetched side was in the house.

"Love machines on the crutches of sympathy Beck sang with" Devil's Haircut ", which also opened his best-selling album," Odelay "from 1996.

Backed by a group of seven members Beck plunged into his catalog with a crescendo force, Chris Coleman's powerful and fast percussion in mind and the bluesy and bass keys build a marathon version of "Where It's At."

"Odelay Beck cemented as one of the ancestors of alternative rock, with its sweet fusion o funky rhythms, grungy guitars and hip-hop accents, lined with surrealist lyricism that makes reference to the life of Los Angeles street and science fiction, inspiring two decades of artists

.In 2015, he was the surprise winner of the Grammy for Album of the year with "Morning Phase", the # 39, one of two works on which Beck removes the layers for mournful acoustic reflections.

As s & # 3 9; he was listening to a narrative of the music industry, Beck last year followed the Grammy with his most popular pop album to date, "Colors."

Beck, who on his hit success "Loser" talked about shaving with the mass and the maggots on his sleeve, rather singing "All the colors, seeing the colors, making the colors, feeling the colors."

Yet, "Colors" does not. was not a reflex album, with Beck postponing his release for a year while he was tweaking an elaborate production, and Beck introduced the songs, with their wild rhythms, into his live show

Scene Adaptation fight

Dressed in a hipster cowboy in a black and white plaid shirt and boots before changing to a pink coat, Beck expressed astonishment at the size of the crowd assembled b Before one of the biggest scenes of North America, the site where the forces brite The natives drove the French out of Canada in 1759.

Beck took care of the more intimate sounds of "Morning Phase", bringing his group to the front as in a group serenade.

Yet alone with his guitar, Beck also offered a free-wheel version of "Debra" in which his Hyundai, heading to a suburban mall, became a spaceship and, as has become its habit, an acoustic , the falsetto cover of the classic pop "Raspberry Beret."

The Purple One also made a less-expected appearance than the hard funk rhythms of his song "Controversy" introduced to the Phoenix scene, a group whose contagious electro-pop avoids controversy.

In an unusual opening for a band that won the best Coachella American festival, French rockers climbed the bass to painful levels before a cheerful set led by tunes from their latest album, Ital Italo. holiday theme, Ti Amo.

The leader Thomas Mars, donning the cherry red microphone in his pocket, gave his body to the crowd while he overfed on 50 meters, supporting fans trying to take pictures on their phone.

The summer festival, known as the Quebec City Summer Festival, follows an unusual public model with low-cost passes for 11 days of music, sales volume of some 100,000 tickets helping to recover costs.

Other posters this year included rock legend Neil Young, R & B sensation The Weeknd and post-grunge flagship Foo Fighters. MKH

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