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If there is anything that the American public has been trained to hate, it is the elderly. You have probably heard the complaints: They are wrinkled! They are fixed in their means! They are watching Fox News! They do not know how to make technology work! Uncle Drew puts this part off guard by collecting some basketball icons, giving them prosthetic make-up and letting them get young punks into the field
. Yeah, that sounds silly and gadget, but rolls with it. First, we have Drew (Kyrie Irving), a streetball legend who is more of a myth than a man. He joins his old friends to play in a tournament at Rucker Park, the legendary streetball field where they started. There is Preacher (Chris Webber), who will mostly escape his wife carrying bats (WNBA star Lisa Leslie, so you know you'll see her hoop eventually); Lights (Reggie Miller), the shooter who is essentially blind now; Boots (Nate Robinson), who comes out somewhat of his senile and catatonic state when Drew passes him a basketball; and Big Fella (Shaquille O-Neal), a martial arts teacher who has a grudge with Drew for one night that he spent with the lady of Fella a long time ago.
Drew is also committed to reminding America not to see the poor as non-shitty, either. They are represented by Dax (Lil Rel Howery), a team coach who gets Drew and the band to play in the tournament when he loses his star player (Orlando Magic player Aaron Gordon) as well as his girlfriend of 39; gold mining (Tiffany Haddish, who had to take this role barely written as a favor to Howery, his former costar on The Carmichael Show ). The additions go to long-time rival Mookie (a ridiculously dangerous Nick Kroll), the street champion who has already blocked a shot that Dax attempted at a game when they were kids and now, for a strange sociopathic reason, made of Dax's life a hell.
The film is based on the commercials that Irving made for Pepsi a few years ago, where he was puzzled like an old fart and tempted unsuspecting youngsters. (Fortunately, Pepsi, who also produced the film, does not turn it into a huge publicity about sodas.) But Jay Longino's script filled with sap turns Drew into a mythological zen master, dispensing words of wisdom after living a life of loneliness and regret when he does not pursue buckets. Almost everyone who is not covered in makeup and pretending to be old are just underwriters. Even the protagonist of Howery is a soft idiot made sympathetic by the filmmakers who describe him as a pitiful orphan. The villain, Dax, is more attractive, while Howery displays a manic, hyper, fast energy, making Uncle Drew an opportunity to show Hollywood that he's available for the roles that Kevin Hart refuses.
his unpleasant but cheerful manner, Uncle Drew tries to argue that people should not underestimate those who are older or less successful than they are. They could also have game. (Since most of these basketball stars are pushing 50 and can still take these youngsters to the real life hole, putting a fake face and acting everything geriatric seems almost useless.) It's no wonder Charles Stone III, a former commercial director (he created the commercials "Whazzup!" from Budweiser, one of which made a cameo) was put live. His films (including the underestimated trio Paid in Full Drumline and the criminally neglected Bernie Mac vehicle Mr 3000 ) often dealt with forgotten themes, underrated men overcome obstacles and prove themselves in spectacular fashion.
Yes, Uncle Drew is an idiotic and sentimental chance to see legends of the NBA not so badly dressing up as giants, but it's also a reminder to all those arrogant millennials to keep their ego in check when the adults are talking.
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