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Travel photographer Austin Mann took the iPhone 12 Pro Max to Zion National Park in Utah, offering a glimpse into what the highest-end iPhone camera of 2020 is capable of.
In October, Austin Mann reviewed the iPhone 12 Pro at Glacier National Park in Montana, praising the improvement in the lineup over the iPhone 11 lineup. Now he has taken the iPhone 12 Pro Max to Utah. to see how it stands out from its smaller counterpart.
Mann said he prefers the size of the iPhone 12 Pro to its larger, more expensive sibling. Still, he was curious to see what sort of improvements the iPhone 12 Pro Max boasted over the rest of the lineup.
He points out that the most significant improvement is for wide, portable shots in semi-low-light environments. He says the iPhone 12 Pro Max needed less time in night mode, which allowed for sharper, clearer photos that were more forgiving of the fragile nature of handheld shooting.
The iPhone 12 Pro Max outperformed the iPhone 12 Pro because of the larger sensor, which can collect more light. The larger pixel size also reduces grain without skimping on detail, and the built-in sensor stabilizer means a little jerk won’t ruin the perfect shot.
Image Credit: Austin Mann
It also found minor improvements when shooting in very low light conditions, such as outdoors at night. This is due to the iPhone 12 Max’s maximum ISO of over 7000, a significant improvement over the iPhone 12 Pro, which Mann discovered using the Halide Mark II app. He also found that the telephoto lens had a faster minimum shutter speed, a longer focal length, and a smaller aperture.
Image Credit: Austin Mann
It photographs in a variety of conditions, showing how the camera can handle both low light and mixed light conditions. He praises the iPhone for its lightness and flexibility, which a larger camera couldn’t do.
Image Credit: Austin Mann
It concludes the review by offering a wishlist for the next generation of iPhones. Topping his list, he wants Apple to bring night mode to the 2.5x telephoto lens and mentions how he would like to see more EXIF data and more burst image options.
Mann does not provide a concrete answer on choosing the iPhone 12 Pro or the iPhone 12 Pro Max. Rather, it asks potential customers to ask themselves what their use case will be.
He suggests that those looking for a high-end point-and-shoot don’t need enhanced night photography or are limited on a budget to the iPhone 12 Pro. However, for photographers who take photos in extremely low light conditions and are willing to shell out the extra cash, he speaks very well of the iPhone 12 Pro Max.
For Mann, he says the quality is worth it, but he’s not sure if the size of the iPhone 12 Pro Max is what he’s looking for.
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