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He was a full-fledged co-author of films directed by Wajda, Has, Kawalerowicz – said Jacek Bromski at the funeral of Witold Sobociński, one of the best Polish filmmakers, buried at the Warsaw Powązki military cemetery in Warsaw.
The closest family, her daughter-in-law Hanna Mikuć, and her grandchildren, Marysia, Michał and Piotr Sobociński, as well as friends, collaborators and others attended the funeral of Witold Sobociński. Allan Starski, Ewa Wiśniewska, Jacek Bromski, Weronika Ksiąkiewicz, Maja Komorowska, Daniel Olbrychski, Ewa Braun, Bogdan Hołownia and Maciej Karpiński.
"He gave them power"
The celebrations began with Mass. in the Church of the Visitation in Warsaw, celebrated by Fr. Andrzej Luter. – Witold Sobociński saw the beauty of the world, filmed it, saw misery and glamor, lack and excess, he loved life in its dynamics. The horatian phrase "carpe diem" was not unknown to him. He loved people, especially young people, and he was spiritually young until the end. He loved jazz, he was one of the most important creators of Polish jazz. It is thanks to them that immediately after the Stalinist night, this jazz could explode in its fullness (…) Many people say that Witold gave them the power. Whatever we wanted to understand, it certainly gave motivation for action and a strength to develop and work. The man wanted to be with him "some", not "any" – said p. Andrzej Luter.
The priest read in memory of Witold Sobociński the memory of his grandchildren. "Who was Witold Sobociński?" One of the best Polish cinematographers in the world? A jazz expert? A musician, drummer of the legendary "Melomanów"? A passionate sailor, spending all his moments on the beloved, even at an advanced age, sailing on a sport prepared boat, have all the digital TV systems and watch the sport in parallel on multiple TVs An unhappy driver who did not enter the flight school in reason for a visual flaw and why he went to the Lodz Film School for the cinematography department in order to take excellent aerial photos after finishing., passionate about new technologies with innumerable cameras, cameras and phones, an admirer of painting and nature programs, a driving enthusiast by changing almost every year, because something new has been thought? academic heart loved by students? "- They exchanged the letter of Sobociński's grandchildren.
"He was each one of them – and for us a grandfather – a man who loves life immensely and who is able to bring him joy." The most fun man we have ever known, whose sense of humor knows no bounds, "wrote his grandchildren about Sobociński.
"One of the largest"
Culture Minister Piotr Gliński wrote a letter read at the funeral of Deputy Minister of Culture Wanda Zwinogrodzka, in which he described Sobociński as "one of the most outstanding filmmakers, a great teacher , a great scientist and passionate, a talented jazz musician ". He pointed out that Sobociński was "an extremely perfect artist, able to master the mood of the film in a masterful way using the motion of the camera, as well as to create a magical reality". As Gliński wrote, this is evidenced by "the expressive and hard tone of the film + Death of the President + directed by Jerzy Kawalerowicz or discreet and realistic frames in the film + Family Life + Krzysztof Zanussi".
"Reminding this talented artist, a valuable pedagogue, a noble man and a master craftsman of the operator, it is impossible not to pay attention to the innovation of the photos that he has created, often in difficult technical conditions, yet in an unmatched way using light and color to get the depth of space "- wrote the Minister of Culture.
Jacek Bromski, president of the Polish Filmmakers' Association, stressed that "the wonderful generation, creative and sustainable, which has made the Polish film art recognizable around the world: Has, Kawalerowicz, Wajda, is part ". "Today, with great sadness, we say goodbye to Witek Sobociński, the greatest Polish filmmaker, educator of many generations of filmmakers, our friend and colleague, modest, kind and humorous, we We bid farewell to the artist whose visual sensibility has been reflected in more than 70 films, among which such masterpieces as "Everything for Sale", "Sanatorium pod Klepsydrą", "Wedding" , "Death of the President" or "Promised Land." They prove the best of the versatility of his talent – said Bromski.
As he recalled, Sobociński has worked during his long career with masters such as Has, Kawalerowicz, Polański, Wajda and Zanussi. – They all pointed out that Witek was a full-fledged co-author of the films they were filming. In his work, he was not limited to painting, but he was involved in the whole process of creating a movie. He actively supported the directors, imposing their sense of jazz rhythm. His attitude towards the film certainly contributed to the consolidation of this Polish tradition of close cooperation between the director and the operator, which is found nowhere else in the world – said Bromski , adding that Sobociński had taught future operators to "make a film, not just film it".
Witold Sobociński died in Konstancin-Jeziorna on November 19th at the age of 89. The urn with his ashes buried in the grave of his family at Warsaw Powązki military cemetery, near the son of Piotr, died as a result of an attack in Vancouver in 2001 during the film "24 hours" and of the wife of Jadwiga Sobocińska.
NOVEMBER 5 ON DWURNIK'S ADVERT EDWARD MILITARY CONDITIONS:
PAP / Injuries
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