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The recently concluded Cannes Film Festival was notable for a number of things (besides just being the first Cannes Film Festival since 2019): that a director won the Palme d’Or for the first time since 1993; the special award from Jodie Foster; Adam Driver sings in “Annette”. And the fact that it was positive proof, if anyone had the slightest doubt, that the year of the non-traveler sweatpants is well and truly over.
Like, put a stylus in that one and stick it on the story wall.
If the Oscars kicked off the return of the red carpet, Cannes took it to a whole new level. For 10 days, the plumage was out: tulle and tuxedo, sequins and glamor, as if to make up for the disguise of the last lost year. This film festival, of all film festivals, has become the biggest parade of the year in real life – or in real life – aside from the Met Gala. Maybe even more than the Met Gala, which can be hampered by a sometimes silly theme.
And that means all of those experts who predicted the party of the century as we begin to emerge from the pandemic may be right. Because when the last lights went out and the last reviews came in and the celebrities dispersed, it was the trends and the images that stuck.
1. Big dresses and heels are back
Despite rampant speculation that the past 16 months of isolation have forever changed our sense of what we’re willing to sacrifice for fame, apparently all thoughts of comfortable clothes go out the window when it comes to doing an entrance.
Instead, in the town of La Croisette, the skirts were tall (often the bigger the better), the waists corseted, and the heels very, very high. Dior’s goddess dresses were so ubiquitous they were practically a uniform, Sharon Stone seemed to have planted a little garden on her huge Dolce & Gabbana tulle number, and Jodie Turner-Smith’s Gucci train looked like to have been caught in a foaming bubble. bath which then trailed behind.
Even casual daytime looks – Marion Cotillard in Chanel overalls; Maria Bakalova in Vuitton tunic and shorts – could practically have been called a cocktail outfit a few months ago.
2. The fancy tuxedo too
Being president of the Cannes Grand Jury means being present at almost every premier and award ceremony, which means being a part of almost every fancy photo op, which means wearing a lot of clothes.
Spike Lee may have spoiled his announcement of the Palme d’Or winner (oops), but when it comes to his wardrobe choices, he won the day, pretty much every day. For a moment, it was hard to imagine he could outdo the purple suits he wore to the 2019 and 2020 Oscars in honor of Prince and Kobe Bryant, respectively, but the bright pink Louis Vuitton look he has picked for opening day – complete with matching sunglasses and coordinating Air Jordans – came pretty close.
The more so as it was followed by a black suit with bright red buttons, black shoes with red laces and a green, red and black beret; a “houndstooth” costume with a pattern actually made from little basketball players; and a costume for the final ceremony that looked like the sunset sky had been screen-printed on one side.
The days of the penguin costume (which, after all, is a kind of comfort garment in itself, being the safest option possible) can be numbered.
3. You are what you wear
When the team behind “The French Dispatch” – stars Tilda Swinton, Bill Murray and Timothée Chalamet and director Wes Anderson – appeared for an afternoon photo call, the sheer variety of their outfit choices became. sort of a Rorschach test for just about any personality type.
There was Mrs. Swinton, for example, who looked dangerously cool in a pantsuit and bright blue Haider Ackermann office dominatrix pumps; Mr. Murray, dressed in a chaotic patterned tourist shirt, shorts and a straw hat; Mr. Anderson, in an ice cream-colored Our-Man-in-Havana suit and white moccasins; and Mr. Chalamet, in black pants, boots and a pale pink T-shirt.
A frenzy of memes ensued, comparing them to everything from Beatles albums at journalism and even vaccine status. Which is pretty much all the proof everyone should need that what you wear can definitely hit you.
4. Surrealism is a look
Schiaparelli, aka the surrealist-built brand, has made a name for itself as the dark horse of statement dressing since the start of the year, when Lady Gaga wore a Schiap number for her performance during the presidential inauguration of Biden. And the appearance of Bella Hadid at Cannes in a presentation look straight out of the couture was another notch in the house’s belt. Effectively catnip to the paparazzi, the long, simple black dress featured a neckline that plunged down to the upper rib cage, exposing a golden “collar” of branching lung-shaped cells just dense enough to cover – eh well, the lungs.
Now that the fashion-Hollywood industrial complex is back at full speed (scrutinizing the brands behind the looks is a bit like strolling past the boutiques on Avenue Montaigne), it seems pretty clear that Schiap has become serious. pretending. This one made them all a little out of breath, anyway.
5. But the family is the best accessory
Forget the handbags; the most fashionable accessory on the Croisette was one close to the family.
Sean Penn was there with his daughter Dylan Penn and son Hopper Penn; Danny Moder (husband of Julia Roberts), with their daughter Hazel Moder; and Tilda Swinton with her daughter Honor Swinton Byrne.
Although the pairing par excellence may have been Jane Birkin and Charlotte Gainsbourg, who appeared in well-worn denim, aka the Canadian tuxedo, for daytime and actual tuxedos (by Celine and Saint Laurent respectively) at night.
Apparently the family that films together dresses together. Taste connects us, in all kinds of ways.
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