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The first half of Ready or Not struggles to rise above its goal, with the script doing little to separate from a routine horror movie. Grace presents herself as a generally unconscious heroine as she prepares to join the Le Domas family by marrying Alex (Mark O'Brien) in their huge mansion.
This part of the movie gives the impression of eating her vegetables before tackling the dessert, while Grace misses some scary looks from the family that narrowly escape her. Even if you expect a montage period in any horror movie before things go wrong, with this principle and the comedy that follows, Ready or Not would have been a more complete set if the filmmakers had added more fun to the sequel in the film in its first half.
But Ready or Not is constantly improving over the years. The story takes on a much more playful tone when Grace has to play hide-and-seek with Alex's parents, siblings and spouse. She was led to believe that this is the tradition when a newcomer arrives in the family tree, but after Alex's family was all armed with weapons from a century ago, Grace witnessed a murder which marked a turning point in the narrative. From that moment, it's war. Still, it takes a little more time for Ready or for not having as much fun as possible, ranging from economical use of gore to old jokes about how this overflowing story is such that it does not happen not quite.
The third act is when Ready or Not keeps its promises. The film becomes a happy marriage of blood and comedy that takes the story to its deliciously illogical extremes and just goes to the ham. This is where Weaving comes in, making Grace a serious trauma and a vengeance that puts history on the path to her bloody finale. Her story is predictable, but when she counts the most, the comedy is usually there to accentuate her most obvious moments towards something memorable.
The quality of the rest of the performance of the distribution varies. Not so ready or not necessary to play the Oscars, but some important roles here are simply not synchronized with the tone the film is trying to achieve. Adam Brody and Andie MacDowell are Grace's step-brothers and mothers-in-law, respectively, but it's hard not to wonder what a few other heavyweight actors could have done with the rest of the Le Domas family.
Director of Photography Brett Jutkiewicz turns Ready or Not with a gorgeous soft hue typical of the chamber drama of the time. The lavish staging in front of the camera is also breathtaking, as is the Gothic wedding gown to the limit that Grace wears for the entire film. Overall, it's pretty good for a fairly small 95-minute horror movie, which makes all the difference as it gains larger, gender-specific gains.
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