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Jumping the gun in autumn, "Dance with the stars" launched its 28th season in epic form with a two-hour premiere that answered the question: Can Sean Spicer or Lamar Odom Dance?
The quick answer is no. But how was it?
These were two of the twelve stars who took the stage in a whole new scene and were faced with harsher criticism from the judges. No dancers got more than seven out of ten judges, and they were very restrictive towards them.
Honestly, that's not a problem for us, because the judges have been brought back to the place where we usually classify these competitors … especially at the beginning of the season. Sometimes a routine is simply bad and candidates should not be evaluated for their efforts and sympathy.
This move is a direct reaction to Bobby Bones' win over season 27, although he is the weakest dancer in the final. He immediately sent the production in panic mode, apparently, because of the credibility of the show as a quality format. Dance in question. And it seems that the harsher votes of the judges are only one change to come.
While the judges' votes balance with those of the audience, a harder judge number succeeds long in balancing the audience's enthusiasm for the charming but terrible dancers. But Tom Bergeron promised we would learn another important change in the scoring process next week when America would start voting. Maybe their voice will be reduced by 50%.
Meanwhile, there were really strong starts for two of the competitors, while a few others stumbled but showed real potential. And then there were the stinkers. And boy could they smell the dance floor.
In addition, we could see the fall that struck Christie Brinkley out of the competition and forced his daughter, Sailor Brinkley-Cook to score in … three days before the first!
Who do I think I am? you ask. Well, I spent almost a decade of my life sweating and bleeding to the sound of music as a dancer. From a young boy learning to change randomly by playing with the St. Louis Ballet Company, I have experienced the ups and downs of one of the most physically challenging sports on the planet. During that time, I was also a member of the St. Louis Symphony Youth Orchestra, as well as gymnast, writer and draftsman. I had a lot more energy in my youth. And I've spent the last sixteen years analyzing and critiquing reality contest shows for various media publications. I have that.
Be careful, since I am safe at home, I will probably be a little more severe than my colleagues Carrie-Ann Inaba, Len Goodman, and Bruno Tonioli. But I could be nicer too. May be.
Hannah Brown and Alan Bersten
(Cha Cha) Alan was not easy with Hannah for his first draw, filling their energetic routine with a lot of twists and even gaps in one point. While Hannah is still a little shy in her movements, flickering on her turns and her hips could use a little more gyration, she has the posture, attitude and commitment to really looking at someone. one in this competition. She has a natural rhythm and a charm that emanates from her.
Judges' scores: 7, 7, 6
My score: seven
Kel Mitchell & Witney Carson
(Tango) He dragged a little around the stage and was too heavy on his feet to move through the stage. His gestures were completely lacking in commitment and prolongation – he even lost a few handfuls of Witney's hands while she was trying his luck – and he was nervous about using his body completely. He just needs to dive in and work on gliding and grace. He has the potential to shake him up and become a competitor as he gains confidence. His presence seemed right to him and he seemed to have the spirit of dancing.
Judges' scores: 6, 5, 5
My score: 5
Kate Flannery and Pasha Pashkov
(Cha Cha) We love the pleasure that Kate has clearly had throughout this routine. But the footwork was an absolute mess at first and it was almost unrecognizable as cha cha until they gave her a breakdown segment and she could concentrate. She did not seem to know the steps with confidence, and moved with fright and a little shyness that did him no service. It was a difficult start, but I still adore her that she amuses herself. If this can translate into confidence in her movements, she may well get out of it.
Judges' scores: 5, 5, 5
My score: 4
Lamar Odom and Peta Murgatroyd
(Foxtrot) Lamar started this as a cross between Dracula and Frankenstein's monster and that did not improve. He was crossing the stage without rhythm or timing. In fact, it seemed like he was walking slowly rather than dancing. There was nothing good about it except that he seemed to know the steps. What a mess.
Judges' scores: 5, 3, 3
My score: 2
Lauren Alaina & Gleb Savchenko
(Cha Cha) Body roll, full extension, excellent timing, Lauren really surprised us after being so crushed in her package. She really has the makings of a good dancer and has attacked her with passion and enthusiasm. It was almost a bit too sensual for the format, but it's going to be fun to watch as she grows up and learns.
Judges' scores: 7, 6, 6
My score: 6
Sailor Brinkley-Cook & Val Chmerkovskiy
(Foxtrot) After her mother, Christie Brinkley, broke her arm, Sailor stepped in with three days to learn the dance. Was it supposed to be a complete rotation of the body on the floor at the end, because the squatting rotation was awful. We think Sailor did not have the courage and confidence in Val to go there at that time, which is just after three days. She was skilled in choreography and even had some nice leg movements and extensions. What is perhaps the craziest is that it was not the worst of the night. She has a lot of potential.
Judges' scores: 6, 6, 6
My score: 5
Karamo Brown & Jenna Johson
(Salsa) Accessories to try an ambitious lift the first week and almost succeed. This should be a fun partnership to watch. Karamo has so much charisma and enthusiasm that he is ahead of schedule and caught off guard. He has to work a little to dig a little ground to get the correct movement of the body and hip. There was a loot for salsa that was missing; he was a little too straight.
Judges' scores: 6, 5, 6
My score: 5
Ray Lewis and Cheryl Burke
(Salsa) It was … not great. Ray danced like your father when he drank too much for your wedding reception. He almost looked pained sometimes, and he was absolutely lacking in anything that was steamy or winding. There was no talent for what he was doing. He took off on the wrong foot at one point and really seemed out of his comfort zone. I do not know why the judges liked that as much as they did, to be honest.
Judges' scores: 5, 5, 5
My score: 3
Mary Wilson and Brandon Armstrong
(Foxtrot) First of all, poor Mary had real hair problems all along this room and it definitely distracted her from the performance. Despite everything, however, she lacked grace and elegance throughout this room. She did not seem to be fully engaged in her extensions and her car lacked proper posture, but she was following the proper steps and getting involved in this process. It could be a black horse surprise.
Judges' scores: 6, 5, 6
My score: 4
Ally Brooke and Sasha Farber
(Cha Cha) The nerves brought her about halfway through a bend, but before that, Ally showed real potential. It is interesting to note that she has excellent hip movements for walking and hip-hop dancing, but that she was too stiff in cha cha. But we have seen complete extensions and complete movements. Her musicality was good, but her timing was in a hurry (nervous?), So that's another person who has the potential to end up as a dancer in this process, but we were expecting a little more.
Judges' scores: 5, 5, 6
My score: 5
Sean Spicer and Lindsay Arnold
(Salsa) Has the costume designer dragged Sean with this terrible green shirt? Unfortunately, it was not the only ugly thing about this performance. Lindsay simplified that as much as she could and Sean was always around like he could not find the rhythm. There is no timing, no grace, no finesse. But his attack is monstrous and impressive and he tries and is fully engaged in a way that seemed to be lacking to Lamar. Can he learn, though? That is the question
Judges' scores: 4, 4, 4
My score: 3
James Van Der Beek and Emma Slater
(Tango) Wow, going out with the first week with a tango and a new partner with this level of passion, strength and commitment is monumental. James absolutely killed the attitude and character of the play, and he also had a very good body work. He had a natural grace and constant command, and he really had the impression of leading this dance. He could win all that.
Judges' scores: 7, 7, 7
My score: seven
PREDICTIONS
You just hate to say that the four main acts of the first will last until the end, because that does not always happen. That said, it is difficult at this point not to see both James and Hannah, because they were very strong.
The United States loves to watch someone grow up, so starting strong can really hurt, but again, we do not know how much the changes could score points.
At present, women are definitely stronger, with Hannah, Alaina and Sailor really showing something. In men, James dominated the competition, but Kel and Karamo have this growth potential.
If Sean and Lamar go on like this and do not go out first and second, we know that the system is still down and that they are going for the wrong reasons. They had no pace, no sense of movement and we have never seen a star start at this level and improve enough to settle for it. Even Bobby was a little better (sorry Bobby).
"Dancing With the Stars" airs Monday at 8pm. AND on ABC.
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