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The question "What if Superman was diabolical?" Is a question to which several comic book authors have repeatedly addressed in the character's story. Alternative Universes, like the Mark Millar Limited Series Superman: the red son who landed in the Soviet Union instead of Kansas, did a great job of exploring, and David Yarovesky Brightburn tries to answer the question "What if Superman was sent to conquer the world without protecting him, and he discovered it while he was a child?" This is a convincing question and a solid premise, but Brightburn ends a bit early to meet expectations.
In 2006, Tori (Elizabeth Banks) and Kyle Breyer (David Denman) farming couples in the city of Brightburn, Kansas, witnessed a meteor crash and discovered a tiny baby, and because they were (as the film clearly shows from several books) having no children, they rely on the boy and call him Brandon (Jackson A. Dunn ). Ten years later, puberty arrives and Brandon turns into spawn spawn.
Written by Mark Gunn and Brian Gunn (Marvel's cousin and brother, respectively) Guardians of the Galaxy director James Gunn, who produced this film) makes a fascinating story between nature and culture, as we see with Brandon, raised with love and kindness. We make fun of him at school, but someone defends him right away, showing him that it is nothing serious. However, this changes when the ship that brought her to Earth begins to contact him. This causes a radical change in mood and he begins to move to the act. He starts by nagging a classmate who was kind to him, going from criminal harassment to a broken hand.
It's scary because Tori wants to protect his son and give him an unconditional love, especially because he's been adopted, but Kyle is quick to realize that these behavioral changes are not going anywhere.
Dunn is very good at making Brandon the perfect little monster, and with his blue eyes and black hair you can definitely see him as a baby, Clark Kent. It is also convincing because it acts in a very childish way. Even if you realize that there is no hope, his tiny face arouses sympathy for a moment or two.
Elizabeth Banks and David Denman both do a good job as parents who try to be responsible but put the pieces together too late. There are really fantastic blood scenes in the movie that made my skin crawl because it does not get away from the carnage, and there is something really haunting about seeing red eyes. emblematic of Superman to be directed against innocent people in a perverse way.
At only one hour and 31 minutes, the film does not lag at all, but for the first time in a long time, I felt like a movie needed a little more. When the film ends, we have the impression that we are just starting, and the credits credit lays the foundation for this kind of league of perverse justice, and I was like: "Wait, come back! Show me this movie too! But perhaps it's better, at a time when most superhero movies are inflated, more than 2 hours of computer-generated damage, the feeling of leaving the cinema in search of 39, further explore what Brandon is likely to do is the best end.
Brightburn is not revolutionary; This is a concept that has already been visited by other media, but it is well done, well played and succinct. It gives you exactly what it advertises, and it does not take too long to know where the audience wants to go.
(image: Sony Pictures Releasing)
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