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Before their long-awaited and most recent collaboration, "The Irishman", Martin Scorsese and Robert De Niro gathered at the Tribeca Film Festival to take stock of their long-standing partnership.
The conference, held Sunday at the Beacon Theater in New York, has entrusted De Niro, co-founder of the festival, with one of his most unlikely roles to date: the interviewer. With interstitial clips chosen by Scorsese in the director's filmography, the actor, renowned for his terse temperament, did not spice up the producer so much that he sometimes said that it was time to discuss the next movie.
But while the conversation relied heavily on Scorsese, it remained a window to their long-standing collaboration. Started with "Mean Streets" in 1973 and spanning nine feature films, he is one of the most famous director-actor couples at the movies. One of Scorsese's other regulars, Leonardo DiCaprio, was among the crowd, eager to see the legendary New York duo together.
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"The Irishman", which Netflix will release this fall, is their latest gangster movie, after "Mean Streets", "Goodfellas" and "Casino". It is based on the 2003 book "I Heard You Paint Houses" by Charles Brandt. Frank "The Irishman" Sheeran (played by De Niro). Al Pacino plays the role of Jimmy Hoffa, some of whom have disappeared since Sheeran.
"It's in the middle of the images that we made together and for which we are known, in a sense, but I hope from a different point of view," Scorsese said. "I hope the years have passed and we are seeing things in a special way."
Although its release is months away, "The Irishman" – one of Netflix's most budgeted films to date – has already become the new flash point of the ongoing battle between Netflix and the cinemas. The big chains have refused to broadcast releases that do not respect the traditional 90-day exclusive theatrical window. Netflix said it did not serve the interests of its millions of members.
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Actor Robert De Niro, left, and director Martin Scorsese attend "Tribeca Talks – Director Series – Martin Scorsese with Robert De Niro" at the Tribeca Film Festival 2019 at the Beacon Theater on Sunday, April 28, 2019 in New York.
(AP)
How Scorsese will navigate in these divisions is closely watched. This 76-year-old filmmaker is one of the most respected filmmakers and has long been a staunch supporter of the film's history and preservation.
The director did not address these issues on Sunday, but he explained how "Irishman" resonated with themes that had long propelled him. "Casino," he said, refers to what he sees as a current "cultural explosion".
"It's the old story: how much is enough?" said Scorsese. "It has to do with our weaknesses and our pride, it's like (we have to talk about it with) gangsters and killers, prostitutes and players."
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Scorsese said that "The Irishman" will be, like "Casino", with the score of "Contempt" by Jean-Luc Godard, a music from another movie. He also said that his latest feature, "Silence", his 2016 religious epic about Jesuit priests in feudal Japan, connects to "The Irishman".
"Terry Malick wrote me a letter when he saw the picture." He said, "What does Christ want from us? "Said Scorsese." In the old quarter, I saw people doing terrible things. But they always had something in them. They cared about each other. "
"This film comes from this and our new feature film," he added. "It's right there."
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Scorsese is also preparing the release of his documentary "Rolling Thunder Review: A Story of Bob Dylan", which will debut on Netflix on June 12. The film will simultaneously perform in an output qualifying the Oscars in a handful of theaters "road show" projections the night before their release in twenty cities.
Music was a recurring theme for Scorsese on Sunday – he said that he often told her how to move the camera – just like his persistent interest in gangster movies. Referring to "The Irishman" while discussing "Goodfellas", Scorsese said the genre can contain everything.
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"We are finding that we keep coming back into this world because I think we are trying to get the basics," Scorsese said. "The microcosm is a macrocosm."
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