Rock 'em, sock' em cyborgs



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A powerful teenage heroine, a teenager in love with computerized fellowship and a distorted view of divinity: if you tell me this story took place in the mid-26th century, I would add that it sounds very current. But I'm up for futuristic science fiction, as long as it's more than just cyborg and roller derby. Unfortunately, the new movie Alita: Battle Angel is not much more than that.

Based on a Japanese graphic novel, Alita takes place in the year 2563, "three hundred years after the fall," a catastrophic world war. In an opening scene reminiscent WALL-EDr. Dyson Ido (Christoph Waltz, as beautiful as ever) walks through the rubble in the shadow of the burned skyscrapers. He finds the top half of a cyborg with "a remarkably intact human brain". Ido attaches spare parts to the body of the cyborg teenager, revives her and names her Alita. Cyborg Alita (a hi-tech mix of actress Rosa Salazar and computer graphics) has no memory of her past.

It takes almost an hour for the film to disclose all the details of the background, which displeased many critics. I found that the slowness of the information puts viewers in the place of Alita. Here is a brief overview.

Humans and cyborgs live in Iron City. Zalem, the "last of the big cities of the sky", hovers over the city. Everyone below wants to climb above, but few can. One way to earn this right is to become the champion of Motorball, a very violent and doped version of the roller derby. However, we do not know what are the advantages of Zalem (a clever name of a celestial kingdom), where Nova operates, a sinister being with divine power.

"I've found that the only way to enjoy immortality is to watch others die," Nova says while controlling – or owning – Vector (Mahershala Ali), an Iron Reseller. City specialized in body parts.

Self-discovery, the raison d'ĂȘtre of any adolescent, human or cyborg, consumes Alita and intrigue. She learns that she has extraordinary fighting skills. It's a good thing, because someone sends "hunter-warriors" to destroy it. Hugo (Keean Johnson), an Ido assistant with a quick job, helps her unlock her past. They fall in love.

PG-13 serves as a clear warning for the film's strong language (three instances) and sensuality, but not for its violence. Most of the fighting takes place in Borg-on-Aborg, of course, but the limbs and the head fly. And a human is cut in half. Animal lovers concerned that cinematic representations of violence against animals could desensitize viewers to cruelty to real pets will be relieved by the unpleasant disappearance of a small dog. of camera.

Alita, co-produced and co-written by James Cameron (Titanic, Avatar), offers high quality graphics and sumptuous decors, but does not explore his themes of dystopian creation and eschatology. In addition, the film ends abruptly with few questions. Obviously, this is not the last we will see of Alita.

But if the sequel does not guarantee more than the cyborg fight and the reinforced roller derby, it is the last I will see de Alita.

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