[ad_1]
Cinema, for her, is biased towards people and the issues that affect humanity in everyone who watches their work. She is not the type to favor her genre, because these are her beliefs, and despite her disappearance for 9 years from the big screen, she has presented several documentaries that have proven her presence in the arena. But it was not for her a substitute for a distinguished cinematographic work to which she would return after her last work, “The Interest”, which she had presented in 2012.
It is the distinguished director Sandra Neshat, who announced her return with two works in the cinema, and she has no problem working in television series, but on her own terms, which she announced during her interview. with Al Arabiya.net, and she too spoke about her last honor at the Aswan Festival and why she accepted this honor …
Sandra grew up with Waheed Hamid
How did you find a festival honoring female cinema in Aswan for you as a director?
As if someone told you that your trip was on the right track. Keep going, of course, it’s great to be honored at a festival in Aswan, and to support women in Aswan and not just Cairo, both Aswan and Luxor for me are history, all the queens are of Hatshepsut, Nefertiti and others are the makers of history, and so I see honoring in Aswan has a special and distinctive character amidst this atmosphere full of history, and I accepted this honor only because it talks about my work as a director, and not because I’m a woman, I always strive to be one of the best directors In the cinema, I’m not the best director, and I also see myself as a role model for women in cinema who presents men’s films, especially since most of my films from the previous stage were dominated by action and suspense.
Sarah nashaat
Are you biased towards women because you are a woman in the first place, and you are also a director in the practical aspect?
I am partial to the sons of Adam .. to the human being .. whether it is a man or a woman. Films that can impact society and bring about change may have been directed by a man, or written by a man. Such as the film “I want a solution” directed by Saeed Marzouk, the film “The Haram” by Barakat, and other works presented by Salah Abu Seif and other directors. Humans need each other, filmmakers and artists too.
What are the reasons for your 9-year absence from the film scene?
It’s not very pleasant, as a lot of people asked me this question, which made me feel like I had to go back to the stadium, because I was far away because I wanted to do what is right for me and the experience I got, besides meditation and a long break, I have to come back with a different job After all these years, and the real problem in the last period was that I needed someone to push me to going back to work ; Because the longer the period of absence, the more difficult the decision to come back was, even though the offers were there all the time, but all the time I increased my greed and waited for the best to come to me.
And this year, you announced your return through two films in the cinema, did you sign their contracts?
I don’t sign, even when I was presenting one of the movies I was working on I used to treat with the logic that my word was a contract, as the late Waheed Hamed, the late Waheed Hamid or more.
Do we consider Waheed Hamid to be the reason for your return?
Granted, I was surprised by a call from him, asking if I was busy, so I told him no, and before he finished his words and said he had a movie script, I told him. said I was okay, Professor, before I even knew all the details, and when I went up to him he had two scenarios, and he gave me a choice between them, I liked the ” sweet company ”, in fact, we opened every possible way to present a work of art together, but unfortunately the corona came and caused the disruption of these projects, but I still adhere to the implementation of the project “Sweet company”; Because I really want to have in my story a work of art written by Professor Waheed Hamid, but there are no stages of implementation yet, even the nominations we have put a lot, but because of the circumstances of the artists we were changing, like Yahya Al-Fakharani.
Sandra grew up with Yehia El Fakharani
Is it a coincidence or an insistence that your return to cinema comes with a film with Yahya Al-Fakharani, with whom you presented your first work, “Mabrouk et Bulbul”?
In fact, the role was worthy of the great artist Yahya Al-Fakharani, and it is no accident. Everyone loves to work with him. “Congratulations and Bulbul” was my first cinematic work and the last cinematographic work he presented before him threw himself into television fiction and the theater, and I certainly enjoyed working with him again, but the difference there is. was 25 years old, Al-Fakhrani had given me the opportunity for the first time, and therefore he took full responsibility, but today, although Yahya Al-Fakhrani is in all his greatness, he should not worry about working with me, and this time he leaves the responsibility to me.
Is the film “Sweet Companion” similar to the work you did with Karim and Ezz?
On the contrary, it is completely far from there, because it is one of the types of films that I wish to present. I was looking for films which present the human form as a graduation project, and the film “Mabrouk et Bulbul” and it was the cinema that influenced me before entering the world of cinema as a director, in addition to the thrillers if I was I am very influenced by Hitchcock, and therefore I want to present a new humanist and emotional cinema.
And the Libon group?
The film is based on the novel by Hisham Al-Khashin, produced by Walid Mustafa, for which Tamer Habib is currently writing the screenplay. It was addressed to the generation of Ahmed Ezz, Karim Abdel Aziz, Ahmed El-Sakka, Majed El-Kadwany, Menna Shalaby and the others, and I hope everyone will participate, because the film accommodates the presence of a large number of stars because its events revolve around 7 friends, but there is still no final agreement.
And can you work in TV series?
Of course, if the text is sweet and distinctive, but I will not be presenting a 30-episode work because I will not be able to present it, it is a huge and difficult effort, and in fact, I salute everyone who presented these works, but I can present a series of 15 episodes or 7 episodes, no more, it is difficult and unusual work, but if the 30 episodes are written in a powerful way, I can present it in a whole year, especially if I presents with the same feeling and the same technique that I present in the cinema, so every detail must be precise, especially since all those who presented 30 episodes assured me the extent of the fatigue and the effort to show it so.
Source link
