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The novel "The uncertainties" of the Omani author Mohammed Al-Fazari is a story of the consciousness and the intellectual exchanges of the two women who lived in different styles and tendencies, from the simple village of the narrow identity to the city where the self is shaped like a cocoon of salvation, The inevitable fate of those who refuse submission and choose the most difficult way of life in exchange for not depriving him of his word.
The first phase of self-research begins and the common standard goes out, and then both come up against walls more powerful than their abilities, which causes them to surrender and surrender. In all this existential absurdity, the novel makes fun of the certainty, and indignantly denounces the identity, the community, the state and the world.
CV
The novel "Uncertainties" comes after the novel "A discourse between the absences of the tomb" of Saki in 2013. Two novels show a period of convergence and overlap between the novel and the biography, all the more so that it is the first experiences of the novelist, which led me to stop with the hawks when the novelist's ability to escape The self-crisis and objectivity in the world. imaginary narrative space.
"Every writer is ultimately the product of his or her own environment and experience, and some writers can go a step further by calling characters of the realities so that their innovative work creates a different reality for the same reasons, and may require Realistic events are treated socially, politically or otherwise, within the general framework of the main plot.It's what happened in my first and second job, but as and when My experience was developed, my "work on uncertainty" of my second job did not involve characters who actually had an origin, such as events. However, most events, not all, have an origin at the level of the idea in my unconscious mind.These roots did not come from emptiness, but had germs of infiltration through the five senses.Why not all of them? some ideas may have arisen from the present moment: writing is also a form of thought, but the most authentic and profound, but perhaps the biggest problem when the author publishes his autobiography or part of his biography and presents it in the form of a narrative work; Both an attempt at escape and an inability to cope. "
Al-Fizari changed location, moving from sultanate to kingdom, the details of history being turned to the Sultanate of Oman as the geographical space in which events evolve, which was obvious in his narration of religious sects and political and social positions.
Al-Fizari refers to his changes for simple technical reasons, which, he said, are trying to give the work a valid passport for as many countries as possible. "I do not deny that the work is mainly based on the Omani reality, but I say that it contains a lot of ideas and concerns if most of them are not shared by Arab societies, especially in the Gulf, so if the reader does not know the Omani reality, there is a significant percentage of readers who do not relate his work to the Omani reality or only, and give him space to navigate more widely in his imagination.
Intellectual revolution
For his part, Mohamed al-Fazzari expresses the freedom of expression in the Arab world as "a great pain, not a pain, when we see such a reality that others have lived for decades, at least ".
"The first difficulty, it is when the intellectual and the intellectual supposed to be one of the pillars of state building are up to the criminal in prison and are The second feeling is that such a reality is the greatest confirmation of the vision that some people see as gloomy and prejudiced when our reality approaches the beginning of the Renaissance in the world. How many centuries do we need to see a different reality?
Nevertheless, our guest is optimistic about the intellectual revolution that has followed the emergence of social networking sites, the Internet and technology in general, and should be able to travel huge distances. According to him, the intellectual revolution is what the Arab world needs, because the political revolution can only change the decor and the face of political power.
It is bad to be equal to the intellectual and the intellectual supposed to be one of the pillars of state building with the criminal in prison
"The way to liberate politics from the grip of tyranny in our Arab world must first go through the religious sanctuary and be released from the clutches of the priesthood, which insists on keeping it out of control. history, so that he can remain a benefactor, a helper and an auxiliary of tyranny.There must be an intellectual revolution aimed at the human being above all else.And the dismantling of the sacred with all the courage and criticism of language, history, and reality.This kind of criticism will undoubtedly lead to the revelation of the truth of holiness and diminish its impact on people when they realize that the will of God does not can be represented on the earth because no one has the absolute divine truth, which will result in the acceptance by people of difference and pluralism as integral to the nature of life The emergence of religious discourses modern which if Focusing on individualism rather than on the culture of the public and the flock, will move religion from public space to private space.
Let us first admit that the Arab States are not one Calabh, because they are differentiated and contrasted like the colors of the spectrum, yet all Arab countries have a dogmatic discourse of variable proportions but also of different types; between them are political to a certain extent and here, for example: Morocco, Tunisia and Egypt at a lower rate.In recent years, however, we have found that several religious books have been published, openly criticizing the character of religion and with no legal responsibility, and there are those who have a religious dogmatic discourse only and here we call the reality of Yemen and, to a certain extent, Egyptian, before 2011. The Gulf countries are very similar on many points, but we also note that there is a relative difference between the level of freedom of expression and dissemination among countries.
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