Arab poetry between modernity and contemporary



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The painting of Sabri Youssef
The painting of Sabri Youssef

Hair types
At the beginning of the twentieth century, things changed and were characterized by the nature of liberation and the launch and the call to revolution against all the colonialism of the situation and evils. The poetry was printed in a spirit of renewal and the ideas and imagination of most poets were broadened, some knowing Western and international literature and influenced by the old Arabic poetry that began to spread again in the shadow of a literary movement that was beginning to move and spread in all Arab countries and poets. This is the case in free poetry, which appeared in the new Arabic poetry and from these lines of the poet Badr Shaker Sayab:

Baba .. Dad .. Turn your voice in the dark to rain the green
He gets drowsy while you're in bed
What vision has come? Any Samawah? Any departure?
I continue to swim in a submachine gun, swim in Abeer
That the valleys of Iraq
I opened the windows of your eyes on my head
Each valley
And it was given to Ashtar of flowers and fruits
Like my soul
In the dark soil is a grain of wheat
Sadak water announced Baathist
O sky:
It's my eternal life

Besides the knowledge of Arab poets on the Western theatrical art, representative poetry was created, a simulation of the conversation in the ancient as in the poetry of Omar ibn Abi Rabia in the wire and well d & # 39; others.

Balanced hair is called traditional poetry or vertical hair because it is a tradition of ancient poetry and its extension, as well as criticism (restrictive poetry) because it is related to weight and rhyme. The traditional hair is this poetry inherited from the music of a certain sea of ​​sixteen seas and a rhyme and a Roy, poem in which a coherent unity in terms of construction was a unique home and most modern nude poems of this type, say Shawki:

Huda, Zia objects
And the time of time and praise and praise
The soul filled with angels around him
For religion and the world by buying
Life flourishes and the barn flourishes
And the end and Sidra the darkest
Revelation flows a chain of chains
And the painting and the pen are wonderful Ruaa
O well of the presence came a hello
Those who send your advice come
A day that ends at the hour
And the proportion of Muhammad and White
The thrones of the oppressors were terrified and trembling
And their ears echoed echoes
Yes, the orphan looked like his favorite
And you will not have any means of existence and intelligence
O who has ethics what Ala
From them and what the grandfather loves
If he had no religion, she would have lived alone
Dina illuminates her light
Your zanatak in great creation is awesome
Try them and hear the vine
O my illiterate, I count you as a rank
Knowing that your scholars have condemned you

Poets have maintained the authenticity of the column of Arabic poetry. Music and weights will remain the pillar of poetry, regardless of the diversity of goals and poetic arts and methods of poets. The verses of the poet Anwar al-Attar: –

I am the conqueror of Sameh of ancient times
For Lai, the existence was nothing
Posted on light objects
And saved them from the sounds of the melody
My country seems to me the most prosperous
The sword was entwined by the pen
And the immortal than to kiss Sioux
And go in lava and pour lava
.
Representative poetry is an art of urgency about Arab literature cited by the Arabs because of their connection to the West and influenced by them through cultural missions and translations and to inform certain events of what is happening or happening. produced in Western theaters. On the theaters, some of our poets presented their simulations for the sake of similarity and staged pieces of Arabic poetry arranged by Unterra.

This type of poetry was successful in its early days, but stagnated in recession over time. Most of the novels poems come from the history of the most famous books of this type of poetry and have created the poets Ahmed Shawki and Aziz Abaza of Egypt and Khaled Shawaf of Iraq.

This section of the play – Cleopatra – Ahmed Shawki Poetry: –
Cleopatra looks at the wounded man –
Cleopatra:
Uh Antonio Habibi has let me know a doctor
The earth will be purified from the blood of leprosy
Where is the strength of your magic and magic
He is in the fainting of prey
He opens his eyes and listens

To follow

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