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During the "Ismail Yassin" visit to Syria in the mid-1950s, he organized a meeting inside the Syrian radio station building in Damascus to film the film "Ismail Yassin in Damascus". Fernandel "Fernandel," what are the similarities between you and him, if it is not the characteristics and the natural similarity? ", In the style of" reputation "fun, and without thinking, replied:" Speak French! ".
In her early days in Egyptian cinema, she did not just quote and insist on the themes of international films, but created new stars inspired by international film stars. The quality of the cinema and its characters was greatly influenced by the offers of international cinema. When Marilyn Monroe emerged as the film's first heroine, it was a parody of the American girl Shirley Temple, and when the French comedian Fernandel appeared with his distant features, his grand mouth, his excessive naiveté, found The Egyptian cinema that offers better than a copy is an Egyptian actor and emerging "Ismail Yassin. "
"Fernandel" is
Ismail Yassin was born 107 years ago, more precisely September 15, 1912 in Suez, and moved to Cairo in the thirties, thus pursuing the dream of his life to be an emotional singer, such as the musician " Mohamed Abdel Wahab ", but thanks to his amusing features and his fun personality Walk in the path of monologue.
Ismail Yassin did not hesitate to make fun of his big mouth and his features: immersing himself in the world of singing satirical monologues, he got used to making fun of everything, even his features and his appearance, and the Egyptian public. This great similarity between the Egyptian "reputation" and the "Fernandel" French, because the work of the cinemas "Fernandel" is known, and that his films are shown in Egyptian cinemas, and that the press began to call "reputation" the title: "Fernandel" Is, and that the title did not bother Ismail Yassin; Egyptian movie stars boasted of being equated with international stars.
Ismail Yassin realized that this similarity between him and "Fernandel" in the traits aroused the admiration and curiosity of the Egyptian public; he was beginning to deliberately imitate or not certain expressions of the French star, including his way of laughing timidly when he stood in front of a girl he loved and could not express his admiration. In addition to imitating his movements, "The Reputation" has cited some of Fernandel's films, including "The Barber of the Ladies", based on the French film of the same name "Ladies Hairdresser", "Samia Jamal" shared the French star "Ali Baba and Forty Harami" In 1954, the French hero Fernandel, who represented Ali Baba, and Samia C. The duet character "Morgana" and watch the duo were fantastic for the Arab public: the images that they had. they collect resemble scenes from an Egyptian film starring "Samia Gamal" and "Ismail Yassin", especially the romantic scenes in which "Fernandel" shy and smiling shows off his big teeth.
In addition to "Fernandel", there are comic performance movements influenced by "Ismail Yassin" in its infancy. Movements adapted from the stars of the foreign comedy. Some of these movements melted into his performance and were subsequently required.
A reputation in Charlie Chaplin's clothes.
Those who have watched the work of the American comedian Le Costello may discover some similarities between his attacks and the kinetic crises of Ismail Yassin, especially those who express intense fear, the movement of trembling hands up and down, legs trembling, a temporary loss of voice, and voiceless cries. He asked for help and he often begged his colleague, Abdel Fattah al-Qasri, as opposed to Costello, who begged his colleague, "Bed Abbott".
Ismail Yassin was also influenced by international comedian Charlie Chaplin, but he does not quote his famous moves: Charlie was both a serious and amusing risk. Great laughing facial expressions and verbal leaps, but imitating Charlie Chaplin 's "Dew Qatar" performed by and directed by Anwar Wajdi, the film portrays two poor comrades named Charlie, wearing a hat, d & # 39; a mustache and a mustache. Charlie the wanderer.
Ismail Yassin has maintained his kinetic comics and added a lot of his own creativity. Some repented of his movements, despite the multiplicity of characters he presented in film and theater, but nevertheless managed to create his own mold and did not fall into the captive tradition. Influenced by its beginnings, it has become a "reputation" for hundreds of works made in film, theater, radio and television, a comical legend that does not erase and a permanent laugh which does not end despite the passage of years.
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