"I want a solution" .. Cinema Faten Hamama waiting for demolition



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"When the man cries" were the first films received by the Luba cinema, which changed its name to the movie theater "Miranda" in the 80s, which bears the name of "Cinema Faten Hamama", decision n ° 10 of 2018

The Faten Hamama cinema was inaugurated on December 29, 1984 by Abdelhamid Radwan, then Minister of Culture, to become the first public theater of the first degree. The name of one of the stars of Egyptian cinema is named for her

"The night of the arrest of Fatima" One of the films screened in theaters in 1984 in which starring Faten Hamama, who watched his film "The Night of the Fatima Arrest"

Faten Hamamah's cinema has never been affiliated with the Palace of Culture, a private property of the family of the same name. Al-Shabaita, famous for the cement trade, who recently decided, as the owner of the cinema, to rent the building to Arab Film Distribution Company, and sell it after the end of P

The son of the former movie guard revealed to Al-Dustour that the Shabaita family had decided to sell it after the end of his rent and stopped the film offers inside of it since 2015 after on

The withdrawal of the cinema did not dissuade those who wanted to lose their memory, even if they were saddened by the decision to demolish it, but it was a beautiful memory

Nadia Ibrahim, a forty-year-old woman, told Al-Dustour: "O & # 39;

Ahmed Harzawi said: "I have attended since my childhood and he called Miranda Cinema, and then I changed the name to pay tribute to the artist Faten Hamama, putting end to his speech.

Randa El Ashmawy took the initiative to share Faten Hamama's film with the inhabitants of his sad region: "It was the best and closest cinema in Lena, where respectable films are not movies that preceded me. All drugs and blood. "

In turn, Asma Maghrabi returned to her old memories with the father's cinema

A number of Egyptian filmmakers expressed their grief and anger over the decision to demolish the old building of 39, art, demanding that the state and its organs intervene to preserve the artistic heritage.

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