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Habib Bourguiba is the vital artery of Tunis. It is the largest street, 1.5 km long and symbol of the Tunisian revolution, because it was the destination of all associations, unions and individuals wishing to demonstrate.
In recent months, this Habib Bourguiba has become "street art" after being invaded by abominable teams unknown to Tunisians before the revolution of January 2011 and transformed into a theater and an open culture for artists who do not have had the opportunity to present their talents. "Premium" rooms, among the pedestrian reception and the authorities of tolerance.
In the street, on a few benches, a number of young men sit, musical instruments in hand, play with them and watch the passersby who stop laughing, mixed up in surprise, because they are not used to attending musical performances as disorganized.
Najib Meftahi, known in the street as Bouzaina, founder of the Ansar al-Salam group for the committed song, told Asharq Al-Awsat: "Freedom is a means of livelihood for the people." He explained his presence in the heart of the main street of the capital with his group of six musicians and singers. On Maghreb and Afro-Saharan heritage machines such as "Banjou", "Cambrian", "Bandar", "Tabailat", "Shakash", "Dajmbai" and "Al-Banqus".
Bouzaina claims that the revolution freed the Tunisian people and allowed artists to carry on their activities unconditionally. He therefore sings today in the streets of the city for passersby and tourists, stressing that his band started his musical activity under the old regime, but that the police then harassed him because that she pointed out the weaknesses of the system, which disrupted power.
"Entering the heart of Tunisians thirsty for art and countering the security control that stifles musical and artistic gatherings in the streets is one of our main goals," he said, without stop playing.
* Music … and curiosity
A few meters from the street, a number of passers-by gather with their children around another group to block the source of the music and force the rest of the street smugglers to come together to discover the source of the happy voices .
"They are very happy to see these scenes in Tunisia because they have a lot of freedom and awareness," said Hayat Zaghwani, who was watching the show with a lot of interaction. She adds to Asharq Al-Awsat that she loves music very much "performed by creators who have narrowed the role of culture and found street in the street". She stops and listens to them whenever she finds them on the street, as much as she is a fan of the Guyanese song. They do it wonderfully, as she says.
"Many passers-by are fascinated by our music, they stop to watch our shows and listen to us, and often take pictures of Sylvie with us," said young musician Majdi, who chose not to reveal his Full Name. "Families sometimes attend performances, especially in the suburbs.
Magdi emphasizes that this type of music "is presented through the harmonious rhythm of the problems of the Tunisian youth, who suffer from marginalization, unemployment and illegal immigration, which has earned us the legitimacy of the street".
Most passers-by agree that music and some of the songs played by groups in the streets have spread life and vitality through the streets and roads. They encourage them to spread more widely and not to focus solely in the capital.
* Initiative of Arab correspondents
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