The controversy around the world's most expensive painting continues … forged and hidden!



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Doubts have recently arisen as to the authenticity of Salvatore Mende, the most expensive painting in the world, after being suspected of being painted by the famous Leonardo da Vinci artist in the Renaissance.

Salvatore Mundi became the most expensive painting sold in the world at an auction when he was bought by Crown Prince Mohammed bin Salman for $ 450 million at Christie's in New York in 2017, six years after its unveiling for the first time at the National Museum in London in 2011..

Bin Salman entrusted the painting to the Ministry of Culture and Tourism of Abu Dhabi, which was to be exhibited at the Louvre Abu Dhabi in September of last year, before being postponed indefinitely, without any impact, doing so Some claim today that they are forged and that they are the product of the work of an "art workshop", according to the Daily Mail website.

French historian Jacques Frank told The Sunday Telegraph that senior politicians and Louvre officials knew that Salvatore Mende was not one of Davinci's works, he would have written to French President Emmanuel Macaron to warn of the opening of the Leonardo da Vinci exhibition in Paris this fall. , If the painting "fake counterfeit" is included among the works presented.

A spokeswoman for the Louvre Museum in Paris said the museum had asked to borrow "Salvatore Mendy" for its exhibition at the October exhibition. "We are still waiting for the owner's response," she said, adding that Frank's opinion was his personal opinion and not that of the Louvre. Because it does not work right now, and it's not worth it someday.

Apparently, Salvatore Mundi's appearance would have changed since it was sold in 2011 and would have even been auctioned off Christie's six years later, raising questions about its restoration. Matthew Londros, a researcher at Wolfson College of Oxford University, claimed that the painting had not been painted originally by Da Vinci, but by Bernardino Luini. Professor Martin Kemp, who helped document the painting a decade ago, said, "Only Arab power-holders know where the work is today."

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