They described it as a whimsical and suspicious and the comments of the best critics on his imagination

08/14 21:35

A case of controversy observed in the spooky movie of the movie star Ahmed Helmy, after its release in Egyptian cinemas on the second day of Eid al-Adha, with high revenues generated by the film for an average of 6 million pounds per day. Exploitation of the comic abilities of the stars packed in the film (Lutfi Labib, Hassan Hosni, Anaam Salousa, Hamdi Merghani, Yasser Tobji, Bayoumi Fouad.

In this report, we will tell you what the reviewers have said about Ahmed Helmy's fantasy film:

The critic Magda Khairallah, writing through her personal account on the site "Facebook", announces her opinion in the film, and writes to Magda: "The imagination is dead, the beginning of this name Bayikh is a year of 39, expulsion and do not attract, the film is not obliged due half a century to the time of Umm Kulthum and history difficult On the same, and thus spoil the movement of 'Ahmed Helmi and evacuate most of the film's events as a man of the eighties, he was of course forced to raise the age of all around him and lose much of the pain and Vitality of Ahmed Helmi and his companions It was possible to see the story of the oldest small Umm Kulthum built on it for the basic bluff. "

Magda added: "The film meant big words and through the sermons, the narrative was completely escaping, the third or fourth Menna Shalabi was very important to play this role, which can be rejected by Iman Al-Assi or without it! Sixth: This film landed by her sisters "Made in Egypt, Wolf and Duran, and on my body", and considers that the latest artistic success of Ahmed Helmy was with the movie "X-Large", and is waiting for his next movie. "

For his part, the young critic Andrew Mohsen, through his personal account on the site "Facebook" a blog, said: "In one of the scenes of the movie Wash Ijram, Taha or Mohamed Heneidy, stay in a house with the gang and open the door.

In the first, a sharp machine draws a circle on the glass of the door, in the manner of professional criminals, then naively blurs by showing the rifle on the glass and breaking it.

I thought about this scene when I saw Eid movies, especially the fantasy of a dead, and of course in front of them a lot of movies that follow the same style of Henedy in this scene, what is that?

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