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“Salt and Pepper’s Lonely Hearts Club Band” doesn’t sound the same.
But if it hadn’t been for a moment of confusion about condiments, the 1967 Beatles classic – one of the greatest albums in rock history – would never have become “Sgt. Pepper’s Lonely Hearts Club Band.
“I was on a plane with our roadie, and we were eating. And he said, “Could you skip the salt and pepper?” Paul McCartney says in the new “McCartney 3, 2, 1” docuseries, which premieres on Hulu on Friday. “And I thought he said ‘Sgt. Pepper.’ … So we had a good laugh about it, but the more I thought about it, [I thought] ‘Sgt. Pepper ‘- that’s a bit of a cool title.
The story behind this album title is just one of the Fab Four secrets McCartney, 79, reveals to legendary producer Rick Rubin during six-part docuseries that reveal how the Beatles really worked – and makes the magic happen.
McCartney also shares that the Beach Boys’ 1966 album “Pet Sounds” inspired the Beatles to create their own masterpiece in “Sgt. Pepper’s Lonely Hearts Club Band.
“We heard ‘Pet Sounds’ and [we said], ‘Alright, we’ve got to do something better than that.’ So we did ‘Sgt. Pepper, ‘”says McCartney, adding that playing“ the alter ego of ourselves ”- in an Edwardian-era military band – relieved The Beatles at a time when expectations were so high:“ It was just right. another group. “
But as McCartney steps into The Beatles’ playbook, it’s clear that there was no method for creating titanic tunes, and in fact, they were sometimes born in the most inconvenient times. “There weren’t any recording devices, so you had to remember that,” McCartney says of their song ideas. “We realized, you know, that we were writing memorable songs, not because we wanted them to be memorable, [but] because we had to remember it. There was a very practical reasoning.
On top of that, McCartney couldn’t read or write music, at least as far as traditional notation goes. “What it means is here,” he said, pointing to his head. “It’s not all over the paper.”
But the Beatles were everywhere to make their music. “We all knew we had the freedom to fool around,” McCartney said, later adding that “we often leave accidents,” such as wrong notes and vocal disturbances.
These accidents, however, were all part of the studio experimentation that made The Beatles pop pioneers: “It was like being teachers in a lab. We had just discovered all these little things.
Sometimes their ambitions even prompted them to switch places – and clash with egos – like when McCartney replaced Ringo Starr on drums on “Back in the USSR” “I was showing Ringo what I thought drums should to be. But I think he could have said, ‘Well, do it,’ ”says McCartney of Starr, who then temporarily left the band for a few weeks.
But of course, it’s John Lennon who will prove to be “the perfect foil” for McCartney. “I loved the way he always added, like, a little bit of cynicism to the songs,” he says of how Lennon balanced his sunnier disposition. Case in point: In “Getting Better”, Lennon retorted McCartney’s “It gets better all the time” line with “It couldn’t be worse. “
Still, McCartney had some insult to Lennon when the two main Beatles songwriters fought. “He wore glasses, and I didn’t, so if we had a fight, I’d call him ‘Four Eyes’,” he says.
Today, however, Sir Paul sees Four Eyes in a completely different light. “Back then, I was just working with this guy called John,” he says. “Now I look back and I was working with John Lennon. “
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