Pierre Niney, dead on fire but a living man



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Frédéric Tellier's film, "Save or perish," is an ode to the courage of fire soldiers. In a few seconds they can save, heal, but also lose a lot. How does one rise up to have given one's life for those whom one protects?

"Death on fire," this phrase echoes from the beginning at the morning rally of the fire station. They list the dead fire soldiers on mission, to remember. Franck, played by the resident of the French comedy Pierre Niney, lives here with his wife Cécile, played by Anaïs Demoustier. He realizes one of the dreams of his life: to become a strong man and to rebuild himself around his family.

Inspired by a true story, the director's second feature film is dedicated to "those who find the strength to get up and reinvent everything." Because, against a background of muscular heroism, this film evokes above all the fight against oneself, against the death of the soul and those of ties. While Franck tries to save two of his men in a fire, that everything switches after waking up from a coma, the young chef will face somehow until reborn from the ashes. After a perilous intervention where everything wobbles, he will never be the same man, far from the world of firefighters. This death that weighs on their shoulders, theirs, those of those they help, gives a stifling atmosphere to the film, which lasts nearly two hours.

Pierre Niney, a man of honor and talent

On September 18, the actor was received by the Paris Fire Brigade to receive the honorary first class rank for his role in "Save or perish". It is undoubtedly the authenticity of his game and his commitment to account for the fragility of a man who believes he is invincible that he won the respect of these men. They are confronted every day with the risks, the desolation, the "human madness", he declares in a poignant speech of the film, which wants to be courageous, pronounced at its exit of the hospital. "I always thought that this job pushes us to life," he explains, before the picture of his eighteen years, when he entered the profession. "We are kids who must become adults, to save, to treat the wounded, the desperate, to face the human madness. I feel that I have not reached the end of my dreams, and I know what I'm losing, esprit de corps, human fraternity, surpassing oneself and the ability to help others. And to realize: "No one is invincible".

For many months, he resumed his feet in the hospital serving burn victims, accompanied by medical staff accustomed to having life reflected in the hearts of people demolished. Most of the wounded's monologues are very touching and so accurate. It's shocking to see a man who stands up, who doubts his ability to cope and who ultimately remembers the essential after losing. Beyond a heroic life that suddenly changes trajectory, the film also traces the life of a young couple subjected to the fragility of life and the fears it arouses. "Man discovers himself when he is measured with the obstacle. But to reach it, he needs a tool ", begins the book of Antoine de Saint-Exupéry Land of men. The obstacle for Franck is that of accident, of vulnerability. "To compete with him" suggests that it takes time to position oneself and then overcome it. As for the tool, it is undoubtedly patience, acceptance and forgiveness, those that allow him to come back to life. Gratitude also has a great place in the healing of relationships, when the former firefighter finally manages to overcome his disgust of himself. It is in this same novel that the writer pays tribute to these words to the aviator Henri Guillaumet: "What I did, I swear, never any animal would have done", like the courage shown by the soldier of fire, but also the one he had to use to move forward.

SAVE OR PERISH

Mars Distribution

The director offers us here a lesson in human life, a singular example of courage within a couple as well. It gives us to see that greatness is realized also in the small things of the daily life, of those which can also save lives.

"Save or perish" (2018), Frédéric Tellier, with Pierre Niney, Anaïs Demoustier and Vincent Rottiers. In theaters.

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