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The departure of Bernard Bertolucci is an irreplaceable loss not only for the seventh art, but also for the world culture. Bertolucci, one of the greatest filmmakers in history, in his best film "20th century", he has moved the boundaries of art for over 50 years, the art that has marked the 20th century.
Bernardo Bertolucci has been one of the few artists in the history of humanity to remain faithful under any circumstances. The 20th century has been a century of constant and rapid change. It is true that the aesthetics of his film has changed over time, but he has always kept his seal of authorship, while the aesthetic changes were primarily the result of the maturation and modification of the interest of one of the most important authors of the seventh art.
The undisclosed poet Bertolucci, at the age of 21, directed his first script "La Commare Secca" of the famous Pier Paolo Pazolini, a man who had left the Faculty of Modern Literature in Rome to devote himself to the cinema.
The film "Before the Revolution" followed, a distinctive left film in which the young Bertolucci painted a modern society (1964) with all its faults, which after the revolution, should become a fair person and based on society. Like all the great European directors of that time, he was delighted with the events of 1968.
"Life before" 68. It was very different from life after 68. Before 1968 our daily life was full of authoritarian moments.The authorities were intrusively present in our lives. & # 39; 68. This was not only a rebellion against the authorities, but also against the conservatism of our parents.The most important thing this movement has accomplished is the feminist movement and the struggle for a better position women in society.The things have changed completely and it is very, very important, "said Bertolucchi.
However, unlike his friend and former colleague and colleague Jean-Lick Godard, who after 1968 became even more radical on the left, Bertolucci, as the critics of the left said, went from the "left to the bourgeois origin" to the "classical bourgeoisie". After 1968 Godar and Bertolucci were seriously injured (politically dissolved), but fortunately for the film, they continued to film even better films.
In 1972, because of the most controversial film "The Last Tango in Paris", Bertolucci was sentenced to five years in prison in Italy and four months in prison. In 1978, the Bologna Court of Appeal ruled that three copies of the film had been kept, but that it never appeared. . Meanwhile, too many explicit sex scenes between a middle-aged man (Marlon Brando) and just-grown girls (Maria Schneider) "The Last Tango in Paris" are still banned in many parts of the world.
Regardless of the prohibitions that accompanied it, as well as the scene of the rape of Maria Schneider, because of which the actress had suffered a trauma that she had never forgiven Bertolucci and Brand, before giving up the alcohol and to drugs, "The last tango in Paris" remains one of the most important films in the history of cinema.
He followed even more successful "20th century" and Bertolucci's career continued to progress. His most successful film, "The Last Chinese Empire", won nine Oscars, including the two most important – best film and director – and Bertolucci became the first and, for the moment, the only Italian to have received the American Academy Award of the film.
Bernardo Bertolucci has recorded 25 films and even his most outspoken critics have not contested his undeniable talent and his importance to world cinema. Even those who contested his most important films have confessed that he had achieved at least one masterpiece of his life.
Bertolucci has been to Belgrade twice on two occasions. It appeared for the first time at FEST 1977, when a full version of "20" in six hours was presented. "Three years later, he appeared on FEST with the film" The Moon "and was delighted with the screening in the new hall – the Sava Center, saying that It was a "huge heat emitting room".
Nevertheless, the most "indebted" public in Serbia was his voice against NATO's aggression against the FRY.
"Ignored by the cacophony of war and making great efforts to resist the waves of irrationality that are developing on both sides, I would like to remind strategists who plan to bomb the Yugoslav cinema on a daily basis. of the three most important film archives in the world, an important part of the memory of this century.The destruction of memory, as do those who destroy the baptisms of hundreds of thousands of people, means the destruction of the historical identity, the future and the past, "he wrote, among other things, in a letter to the world public on April 4, 1999.
The former director of the Yugoslav Cinematheque, Radoslav Zelenovic, said that in those same years, Bertolucia had personally received a copy of his film with permission to perform at the Palić festival, which, due to the circumstances of the war, had lasted only one day.
Regarding the country's outcasts, Bernardo Bertolucchi showed "leftist critics" that he had never become a "classical bourgeoisie". Perhaps, over time, he "turned right" politically, but remained humanistic for the rest of his life.
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