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Refresh to last…: Disney / marvel Shang-Chi and the legend of the ten rings Easily crossed the $ 250 million mark worldwide this weekend, recording a very good 34% drop at the international box office and retaining the top spot in key markets such as Australia, Brazil, France , Germany, Korea, Italy, Mexico, Russia, Spain and Great Britain.
The global weekend abroad was $ 35.2M of 42 hardware markets, raising the international cue to $ 112 million and in the world for $ 257.6M. It’s still a question mark on an upcoming China release, but there’s a lead elsewhere for the Destin-directed superhero photo Daniel Cretton, and word of mouth continues to be positive. Then the sci-fi epic of Warner Bros. / Legendary Dune opens this week in some overseas markets, then Bond starts arriving from September 28.
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Second strong weekend of “Shang-Chi” with more than 35 million dollars; “Smart” DOA – Sunday Update
With most of Southeast Asia closed, it’s encouraging to see Singapore, along with Hong Kong and Taiwan, topped the top spot this weekend on Shang-Chi. There’s that question mark about a possible release in China – and that’s important because it’s a big Marvel market – but the film holds up elsewhere, even though Korea continues to be weak.
The top 5 markets to date are UK ($ 16.4 million), Korea ($ 10.7 million), France ($ 7.5 million), Russia ($ 6.1 million) dollars) and Japan ($ 5.5 million).
In IMAX, Shang-Chi grossed $ 21 million worldwide, including $ 8.6 million from overseas.
The only major studio title in the China end market, Disney / 20th Century Studios’ free guy continues to excel. Ryan Reynolds star has now reported $ 276.5M global, including $ 174.7 million internationally. With $ 76.3 million to date in China, the film is the third highest grossing MPA title since reopening theaters in July 2020. The Global Weekend was $ 17.3M abroad.
IMAX is now at $ 19.7 million on the film, including $ 10.7 million from China.
As a reminder, France, Italy and Germany require a health passport to enter theaters (Germany has however adapted much more quickly); 60% of the Australian market by box office potential is currently blocked; Korea still has a high number of cases; 70% of the Japanese market is affected by states of emergency limiting screening times, and as noted above all of Southeast Asia (except Singapore) is still closed.
FOLLOWING…
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