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I do not know how to explain Dreams to you. This enigmatic storytelling platform is so expansive it's hard to pin down. Every time I see it, however, it's always something that blows my mind, PAX Australia, it was audio. Dreams has, isOne of the most fully featured audio interfaces.
And the best part is that the demo was not even meant to be focused on audio. My host, game designer and programmer at Media Molecule, Daniel Kidney, had been in the game for about 14 hours when I got to know him. He asked what I wanted to see. And we have whim, I said audio.
We started in a moon level where he showed us the Little Big Planet-esque stamping tool that builds terrain, the intuitive interface and button presses that allow you to manipulate everything on the stage, and the voxel based shapes that result in soft, almost perfect concave sculptures. Dreams lets creators tag their creations as remixable, which allows other people to download their level / character / game and tweak it in any way they want.
After the movie, we asked him how to move the sound of the movements of the Dualshock 4, Daniel asked if we wanted to add some sound effects. Everything can be linked together in Dreams via logic gates that will be immediately familiar to anyone who has worked with node-based software.
The platform was connected to a sound chip that Daniel then thing to song. When Dreams Releases, Media Molecule plan on having a library of resources ready for you to use. We have a simple bass line and a drum beat and ugly them into a timeline. The timing matched up and it sounded great. But if you want to get granular with your music creation, there's a library of sounds right down to the score.
There's a library of sounds right down to the score.
The audio timeline was indiscernible from that of Ableton Gold Pro Tools. Audio is represented as different colored rectangles with a waveform or smaller rectangles denoting instruments or notes. The Imp – Dreams 'version of a mouse cursor controlled by the Dualshock 4' s motion controls – zipped around the screen, and everything reacted as you expect. Clicking and dragging the end of a clip and dragging it out of the loop.
Instruments can be played in real time via the Dualshock 4 and a sort of venn diagram interface. Dragging the impinges of the different sectors produces different notes and pitches, and after recording we saw a 3D representation of the Imp's path that could be edited. While there is no doubt that the average creator will probably never use And that accessible design permeated everything I saw.
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