Even in misfortune, they formed freely. Filla and Fulla are the first time in one place

BRATISLAVA. The Slovak National Gallery, as part of the Made in Czechoslovakia project devoted to the centenary of the Czechoslovak Republic, inaugurated an exhibition devoted to two classics of modern Czech and Slovak art: Emil Filla and Ľudovít Full

L & # The exhibition seeks parallels and artistic specificities. two eminent artists.

Filla and Fullu associate, according to curator Katarina Bajcurova, a Czechoslovakian story. They were both born in the monarchy, experienced the emergence of the First Republic, its division during the Second World War and the post-war period.

The story of Fidel and Fullu is divided into six chapters such as cubism and avant-garde. Both represent about 140 works from 1912 to 1953, from Fidel's occupation to cubism until his death. Cubism marked a lifetime of Fill's work. At the same time, we know that Fill's work inspired the 20 years of Fuller Fuller

Bajcuro during the press briefing emphasized that the exhibition would not have been possible without the cooperation of private partners and collectors. This is a unique opportunity to see the creation of the two artists in Slovakia for a long time. The only exhibition of the work of Emil Filla in Bratislava was collections of the National Gallery in Prague in 1973 on the 20th anniversary of the death of an artist

The last major exhibition of Ľudovít Full at the SNG in Bratislava in 2002. In addition to SNG collections

SNG's director, Alexandra Kusá, worked professionally on the exhibition, confirming that the artists not only combined the similarity of the name, but a number of artistic and philosophical ideas

. door keys "of the SNG collections.It is exhibited for the first time and proves that even in the fifties marked by socialist achievement, Filla was able to freely create, in accordance with the current art scene in France

SNG recalls that the two artists belong to the most eminent figures of Czech and Slovak art century

While Czechoslovak citizens represented the successes and progress of Czech and Slovak art in a wider international context, they were involved in social life and arts education, in the 50s they were accused of formalism., afflicted by dogmatism and had to cope with the officially proclaimed method of socialist achievement