[ad_1]
Soul was supposed to hit theaters in June, but thanks to COVID-19, it’s now set to hit Disney + – for free – on Christmas Day. This is possibly the best result for Pixar’s latest animated feature, not because it’s not good enough for a theatrical run, but because it might have struggled to attract one. public even without a pandemic to manage. Again, this isn’t a reflection on the quality of the movie – it’s one of Pixar’s best – but with such a bizarre tone and a lot of very grown-up issues to deal with, Soul is certainly not a typical Disney story. That’s not a bad thing, though, as it looks like a refreshing change of pace that will hopefully lead to some equally bold creative decisions from Pixar in the future.
That’s not to say the studio hasn’t taken risks in the past, but it’s a nice change of pace to see them tackle something other than commercially advantageous rates like Toy story 4 and Forward. Both were, of course, phenomenal, but Soul is closer to those shorts that use ideas and visuals that you would never expect to see in a feature film project. It’s exciting for many reasons, but the fact that the studio is pulling it off and delivering a masterpiece of a movie is extremely rewarding to watch.
Directed by Pete Docter and co-directed by Kemp Powers, Soul revolves around music teacher Joe Gardner. After having finally had the opportunity to play jazz on stage, an untimely accident sees his soul sent on the way to the Great Beyond. Escaping to the Great Before (where souls are made before they are born), he encounters 22, and what follows is a heartwarming and powerful look at what it means to be alive as Joel does whatever it takes to come back to her body and realize her lifelong dream.
The film deals with the idea of life and death in a very strange and unique way, and this is reflected in Soulbeautiful visuals. It’s often breathtaking to watch and love coco, brings new ideas to the table that go a long way in ensuring that this is not another Pixar movie. Even when things get weird, it’s never the wrong way or it makes what’s happening on screen hard to understand (the material might be a bit too heavy for some younger viewers, but it should still. appeal to older children). Ultimately, this turns out to be a great story that will end for good and make you think about life and what you are – or are not – put on this planet to do. As a result, it’s one of Pixar’s most memorable adventures quite easily, not to mention a poignant and visually stunning love letter to jazz.
You don’t have to be a huge jazz fan to appreciate what Soul is trying to convey in their message, but like La La Land, don’t be surprised if that makes you a fan! Accompanied by a delightfully unique score by Trent Reznor and Atticus Ross; These aren’t two names you would have ever thought to associate with Pixar, but for this film the studio couldn’t have found a better team.
You won’t be surprised to learn that Jamie Foxx is terrific from start to finish, as is Tina Fey as her co-star 22. Angela Bassett, Daveed Diggs, Rachel House and Graham Norton (yes, this Graham Norton) are part of the impressive ensemble cast, and there’s nothing bad to say about anyone’s work. However, a special mention deserves to go to Donnell Rawlings as Dez, Joe’s barber. His performance is outstanding, and the scenes he shares with Foxx highlight what a well-written tale is (Pete Docter, Mike Jones, and Kemp Powers all receive writing credits). With various faces behind and in front of the “camera”, Soul feels like another big win for Pixar and diversity in cinema.
One of Pixar’s most beautiful and poignant films, Soul often heads to weird places, but does so in a way that will follow you and leave you with a lot to think about.
[ad_2]
Source link