Star Trek: The end of season 2 of discovery propels the series towards a new future



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In "The best of both worlds" the last episode of Star Trek: the new generationof the third season, Captain Picard turned into Locutus of Borg, and told us that the resistance was useless. Commander Riker ordered Mr. Worf to fire, and strings and trumpets went BLAM BLAM BLAM four times. We waited all summer to find out what would happen next! The finale was a total breakout of nerdcore. Finally, I understood what my father was talking about when he went to the movies every Saturday to watch cliffhanger series.

I'm not saying that Star Trek: DiscoverySeason 2 is coming up, "Such Sweet Sorrow, Pt. 2" is the same kind of jumping moment in the couch – it only happens once in a lifetime – but the last two sequences m & # 39; were screaming and showing the screen. With a course correction and potential spinoffs, this new age of Star Trek finally manages to escape from the old.

[[[[Ed. Note: What follows contains spoilers for Star Trek: Discovery through the first season 2]

"Burnham to Discovery", often says the main character of Sonequa Martin-Green: "Let us go." Then, zoom in, they pierce a hole in the fabric of space-time and leave all behind.

Yes! I cried, Exactly!! It's like they're reading my loving but critical tweets!

J & # 39; Love Star Trek: Discovery because I love Star Trek more than anything except my close family. When you love something so strong, you are suspended from its imperfections. (That's why your parents are bothering you, it's because they care about you.) The fact that a 2019 show "looks modern" even though it's happening before a show in 1966 never bothered me. But some photon torpedoes explode in time – mainly because Spock had a close relationship with a half-sister and Starfleet had created a propulsion system via a subspace mycelial network that never appeared in another chronological series in the future – dropped me. Star Trek Fans tend to identify with logical characters like Spock, Data and Seven of Nine, making anomalies difficult to eliminate.


Star Trek: Discovery - Pike Captain

Russ Martin / CBS

Discovery is a spectacle born of chaos. The Star Trek the intellectual property was in shared custody between the movies (Paramount) and television (CBS) when the network wanted something big to launch its streaming service, CBS All Access. Bryan Fuller, his original and visionary showrunner, dropped and left everyone stuck with a fundamental handicap: Discovery would be a prequel show – and Star Trek already had a prequel show with Business. New spectators arrived and were fired. But by a miracle Discovery The characters were wonderfully written and the performances, animated by Martin-Green, were magnificent. (The apparent blank check for special effects did not hurt either.)

However, no matter how much the show glided with its deliciously geeky story arcs (spore discs! Time crystals! Sphere data! Klingon human transmogrification!), I always had the feeling, like Guinan, to strive to convey the chronology. to Captain Picard in "Yesterday & # 39; s Enterprise", something needed to be fixed. In the last moments of season 2, Discovery issued this correction.

Section 31 of Artificial Intelligence, Control, hungry for data (as are all systems of this type) went crazy in the presence of data from the sphere similar to the tree of knowledge that Discovery retrieved earlier in the season. As the visions of the near future show, when control reaches all-powerfulness, it will destroy all sentient life, like Skynet, HAL 9000 and, in a similar way, the Borg.

There is no way to defeat Control. The plan is therefore to minimize it and hope that the future will solve the problem. (As Congress does!) Burnham must lead the ship 800 years later (or is it more – my stardate conversion rule is rusty) to a potentially barren galaxy with mysteries and conflicts never seen before in this franchise. By fleeing the present, Discovery, the ship and the show, go where no one has gone before – which is where they should have been in the first place. Finally, the Discovery crew is autonomous, leaving all the pre-existing cargo. As they entered the vortex (with impressive effects), every molecule in my body shone.


Michelle Yeoh & nbsp; on Star Trek Discovery

Russ Martin / CBS

I mentioned the Borg earlier. Know this: I was really worried that this season would eventually reveal that Control was the proto-Borg. Not only because the Borgs appear in the pre-Discovery Business and not just because it would be a dissident for the series of books related to not-all-canon destiny, an exceptional trilogy of David Mack that offers a marvelous story of origin borg (Borigin?). The jury is not out yet (the show can still do it), but I hope it will not happen, because that would be another example of Discovery showing resistance to thrust on his two pods.

Anson Mount and Ethan Peck are absolutely exceptional as Captain Pike and Spock. So good, in fact, that it would be easy for writers to look away. Michael Burnham is expected to gain momentum for the series: his growth as a Vulcan raised, his redemption after disobeying his mentor. Having the Terran Emperor around – the "Mirror" Georgiou – as a mirror for Burnham, a reminder of where decisions can lead, should be enough history material for his trip. Add to that Saru, Stamets, Culber, Tilly, Reno, Detmer / Owokeson (who flourished so wonderfully and organically in the Sulu / Chekov seats) and others that a part of me almost regret that Pike and Spock are even present. That's why my screams of "yes!" Turned into driving wheels at the end of this episode.

It is clear that Pike and Spock are not there, wherever Burnham goes. They stay behind and, in the last sequence of the episode, go full Amelie and clean everything. The discovery was destroyed in the fight against control, they say, but just to make sure that there is never any temptation to look for embarrassing sphere data in the future, while commitment to never mention the vessel, spore discs, or black alerts, or control or all other points in history that have done too much with cannon. (Earlier, Pike and Number One placed the kibosh on these pesky holograms – communication with the main viewer is pretty good!)

Spock, Sarek and Amanda have promised never to talk about their beloved Michael Burnham to people outside the family. So c & # 39; why BFFs Kirk and Bones (and us) have never heard of her. As for Sybok, well, heck, would you mention this guy?

As a fan of Star Trek lore, I was ecstatic. But as a fan of Star Trek Discovery, I had to admit: I learned to love Mount and Peck. And that's where the conclusion, which was already a cherry on the cake, became, I do not know, a second cherry. With his shaved beard and wearing the "blue scientist", Spock – really looking like Spock – joins Pike and number one on the bridge of the Enterprise. They are ready for adventure.

Let me ask you a question. A logic question. Do you think CBS All Access has used Anson Mount, Ethan Peck and Rebecca Roijn to create a complete Enterprise Set (Borrower)? real coins of the Ticonderoga Series series, New York Original Series), let them lose in the Alpha Quadrant, so that they can do not do something new with the characters? The way they all smile at the end of this episode? Personally, I love the idea of ​​staying on the timeline with characters I already know and heading towards the future with characters who are still growing up. The universe is expanding in two directions.


Jordan Hoffman is a writer and member of the New York Film Critics Circle. His work can be read in The Guardian, New York Daily News, Vanity Fair, Thrillist and elsewhere.

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