Review by "disobedience" of Sebastián Lelio.

The first time I walked around the noisy Arab bazaars of Jerusalem and found myself in the Jewish Orthodox neighborhood, it was like I was finishing up on another planet, a bushy world where men close their eyes. hair and no one wants to see a happy tourist in the shorts enter his store.

Little is to see "the incredible woman" of Sebastian Lelio, an explosion of colors, tears and passion that gave the Chilean director an Oscar spring, and then sit in front of his new film " Olydnad ", which is played right in the Jewish Orthodox neighborhood, but in London.

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The film based on Naomi Alderman's novel about Ronit (Rachel Weisz), a girl Rabbi's layman, who returns to New York to attend his father's funeral. Her friend Dovid is not happy to see her. His lifestyle and sexual history create uncertainty throughout the neighborhood. In particular, he dissolves the emotions of Dovid Esti's wife (Rachel McAdams) and when they are offered to live in their guest rooms, many in the synagogue spread the forehead in deep folds.

There is a tension in these early scenes, an uncertainty that is who, who likes and what the title of the film refers to is very suggestive if we can successfully avoid all interviews and trailers revealing the central story.

Lelio captures the cross-border and all the exclusions of shades as intelligent as in "Gloria" and "An Amazing Woman" and successfully reproduce the feeling of being in a parallel reality. The details fascinate; the wigs that women wear instead of veils, the constant resonant interpretation of God's will and the wonderful expressions of passion and tenderness. Rachel Weisz is an expressive beauty rather than a great actor and perhaps only Terence Davies has managed to fully exploit her potential in the story of the timeless passion "The Deep Blue Sea". But Rachel McAdams, in the role of Esti, has never been better and Alessandro Nivola interprets the difficult role of Dovid with a sensitivity that – and probably did not think it – makes him the most moving character of the film.

. First, it would be much more interesting to turn the point and focus the couple, to see his world from the inside, naturally, when he suddenly rings the door and Ronit is in the door. But above all, it is sad to see a colorful and humorous director deliberately refrain from humor and sparks, as he suddenly suffered from his godfather 's trinkets. Or inhibited by English. It is time to dare to refuse anglification?