Thåström is still relevant

Dalakvällen began to darken, and the Peace & Love Festival's biggest booking is on stage with a black hat, black shirt and characteristic handshakes when the "Karkarlen" thrives

Already like the second song, "Var Varen", which is well beyond the public release (and with such a heavy base that you plan to visit the health center eventually), but we are on festival as well.

The most amazing thing about Thåström is that it does not stagnate or go to routine.

At his age, the returns, the reunion or just an old man do not play and rarely play old tubes of their own time.

He never arrived at Thåström because he managed to keep contemporary with his first chords in "Young and lowered" to the incredible "Bluesen in Malmö" which is made heavy and smothered. Everyone wants to go to heaven "and make it so heavy that he begins to feel Peace, Love and the Pitbulls on his roar.

Thåström sometimes mounts on stage. There's no talk talk we talk about, he thanks two times and then it's enough, he pisses us through the blues with wide shots (as you suddenly realize, although you do not really like the blues) in the roadtrip "Old Point Bar", through the "Always Away" and the weight of the "Karaoke Bar".

Maybe I think of Thåström as he takes the role of narrator and continues towards for the verse with a wonderful story and the voice plays the main role while the group feeds in the background as in "Down to the Terminal." The best in this genre is the masterpiece "Short Biography with Small Testaments "which also becomes a grand finale.

[19659000]

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