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In the late '80s and early' 90s, Neneh Cherry was one of Sweden's most successful music exports before she disappeared from the spotlight – for 18 years. In 2014, she returned with the album "Blank Project", followed by "Broken Political".
"If you suspect, suspiciously, that the" White Project "was an isolated event, a little" hello I'm staying "then, goodbye, it's time to think now." On Broken Politics, "Neneh Cherry shows that this , as one could call her artistic talent on two floors, is true that it's really something she's betting on, and it's also something that you have to keep counting on. The last album was celebrated, among other things, because he came into the present – even though Neneh Cherry had moved away from the music, at least as a soloist, she felt really hypermodern, quite relevant during 18 And the same goes for Broken Politics, maybe even more than the last one.
What do you mean by relevant?
"To a large extent, this is music." The album is partly produced by Cameron McVey, the partner of Neneh Cherry, who worked for Massive Attack, but also by British producer Kieran Hebden, best known under the name of Four Tet.They also collaborated on his latest album, but here it is very clear that they fit well.The music is beautiful, experimental, full of unexpected twists, you never really know what will happen later, be it a dream breaker, a quivering noise or a dinner sound, the only objection is that the "mark" of Four Tet may take a little more control, but at the same time It is clear that Neneh Cherry is advancing the album: her voice, her way of using the voice, with whispers, song and rap, her lyrics, yes, everything she wants to convey.
The album's name is Broken Politics, is it political?
– You have to say that. Above all, once again, he is very anchored in the present time. "Blank Project" was a rather introspective plaque, a trip inside Neneh Cherry, and "Broken Politics" is also a personal album, but more externally, more focused on the outside world, on politics, on everything which broke down. The song "Kong" deals, for example, with the recent refugee crisis and touches on substances such as arms, colonialism and feminism. But it's never really concrete, it's not about protest songs or "poster words" that may be superfluous, but rather songs that extract their power from abstraction and poetics , painted images, interaction of images with music and voice. It's a pretty slow, slow and deeply humble album, but you can not lose the power. It's a bit like a rage lying on the nap.
Listen to all the criticism in the audio link above.
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