Commentary of the scene: A big theater on the small size

The saga of Lewis Carroll is made for the theater with a sense of scale. Alice, who falls into the rabbit's burrow, contracts and grows every second in the backcountry. And in Margareta Sörenson's work, the story speaks of the feeling of well-being, but so far it's too small.

This is a familiar theme for young visitors who have not read the Carroll classics of the 19th century unless otherwise stated by Alfons Åberg or "Lotta på Bråkmakargatan".

On the quays arrive the feeling of a catchy expression. For a moment, Alice reaches the palm of her hand while she immediately gets up like a giant.

Dockers Magnus Erenius and Ida Steén meet the public on infectious game humor. The scenography works like a rounded punch and a hiding place, before the dreamy adventure begins. This creates an inviting participation, which also encourages the gaming abilities of the audience.

Alice waits in one of the stacked boxes right on the stage, which opens and is renovated during the performance. Soon Alice starts chasing a bunny rabbit around the green grass scene, before her long fall in Wonderland is described by a magnificent game of shadows.

In one of the drawers hides the swollen queen who can borrow Erenius' head while another box hides singing flowers. "Alice" offers various secrets that make 45 minutes go into a nafs. It's a touch of happiness with imaginative transformation figures on the relative importance of size. As it should be in the hinterland.

Read more comments of the scene here