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Since the release of the album "So sad so sexy" at the end of the summer, Lykke Li has been able to answer many questions about the female game. In part, she must be angry. The disc, like much of his artistic talent, revolves around topics that differ in different ways from the expectations of the outside world vis-à-vis a young double-chromosome X. In interviews, she mentioned the feeling of being a "bad woman", one of the titles of his song seeming not to meet the demands of society.
People seem to want to sign her as an underdog. But as such, the artist who has spent more than ten years in public is honestly not very credible. Lykke Li is loved, fashionable and fashionable, even if her interpreters want to highlight her deficiencies, it is certainly not weak. On the contrary, it is a power factor.
What she fills When she returns to Stockholm for the first time in a long time, the appendix is just a sign that she has become an icon for a small but conscious public. With her, she has familiar faces. Brorsan Zacharias and his holidays forever like a warm up. Anders Stenberg from The Deportees and Lars Skoglund from Laakso in their own group. These two have been playing with her for a long time and have followed her evolution from champion of independent streamers to the production of current R & B movies on screen.
At present, in his career, a concert becomes an advanced exercise in the performance of a series of rather disparate audio worlds. The protagonist, although she likes to talk about how she thrives in her nomadic lifestyle, may be looking for familiarity with familiar musicians. The public really needs it. On the floor, there are fans of striking clarity who appreciate very much the few songs that they receive from the back of the catalog.
Early underneath More than 90 minutes of play, "No rest for the bad guys" and "Just like a dream", just like the girls group brothers and sisters updated with the wall of mafia sounds we had in the habit to hear from the 32-year-old singer. The format is familiar, but uninteresting. More layers are in the new material, which, influenced by the trap and psychedelism, imposes much greater demands on Lykke Li, both as an artist and as a singer in particular. On the record she is able to pass the test with bravery. "So sad so sexy" is his most long film, the most exciting.
On the other hand, ambitions are not infrequently excessive. Deep base curves and cut moods. Even though the tour was long, the band appeared before us, which did not really interact. An experience that probably has more to do with the current challenge presented by the new songs. The most modern music currently, the one heard in the clubs and which occupies the lists is advanced in a creative way.
Lykke Li still has a hard time shining even before she can shine, even in the most innovative sounds. The day when everything sounds like "Deep End", as with its suggestive rhythm and piano singing, the Annexet moves like waves in open water, we can seriously start talking around the world.
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